Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Assignments from October 2nd
Hello Everyone!
Happy October! Thank you for the great first month of the school year!
Georgia:
This week we discussed how Georgia should approach practicing at home. While she is encouraged to play the whole song from start to finish when she begins her practice for the day, she should be keeping an eye out for any spots that need extra attention. Georgia should isolate and review these areas on their own without playing the song to ensure she can focus on improving just those spots. At home this week, Georgia should review The Clown. Please help Georgia by reminding her that the song starts in her left hand. Encourage Georgia to play the first two lines hands together. She can then practice the last two lines hands separate. She will need to sight-read the right hand of the last two lines on her own. Please help her by reminding her that the starting note of the third line is a B. She can figure our the rest of the notes on her own. Remember, Georgia should resist the urge to write in the notes to help challenge her memory and sight-reading skills.
Noreet:
Today we reviewed more of Ode to Joy! At home Noreet can continue to practice the first 3 lines hands together. Challenge her by asking her to play the following 3 phrases hands together this week. (6 lines hands together total). Please help her by reminding her that the 5th phrase is to be played a whole octave higher! We also reviewed intervals today and identified parts in the song where Noreet has to play a large interval (big jump between notes). She can continue to analyze intervals between any notes she is less confident in. Finally, we reviewed the pattern of the song, specifically difference between the ends of each phrase and listened to parts of Ode to Joy played by a symphony!
Eva:
Today we reviewed Classic Dance. When practicing at home, help Eva get started by asking her to show you C Position on the keyboard (both her 5th finger of her left hand and thumb of her right hand should be on C, one octave apart). Please encourage Eva to play the second phrase as well. We read the notes together in class using the flashcard game. She can review the notes with the flashcard game as well as with the fill in the blank colouring sheet for Classic Dance. We will correct this next week. If Eva is feeling really confident, once she has played the second phrase, you can tell her the third phrase is identical to the first phrase. So she already knows how to play it! We will look at both the second and the third phrase together next week.
Benji:
Today we reviewed Little River and started Sailing in the Sun! We didn’t play any of the notes today, we just read them. Encourage Benji to play the notes at home by taking turns at the piano. The first note of the song is middle C, from here Benji can figure out the rest of the notes in the song. If he gets stuck, ask him if the next note is higher or lower than the previous note. This song alternates hands within the same bar. The right hand starts then the left hand takes over. Please remind Benji of this at home, and clarify this by reminding him that all notes in the staff with the treble clef (the tall swirly clef) are played in the right hand, and all notes written on the staff with the bass clef (the backwards C clef) are played in the left hand. Finally, to help Benji with his sight-reading I’ve sent home a new fill in the blank work sheet! Under each note in each bar Benji needs to write in the letter name for that note.
Clara:
Today we reviewed Criss Cross. To help Clara visualize the contour of the line (the overall direction) we wrote out the whole song in the treble clef. This helps Clara see how close each note is even though they are played in different hands, and helps her see when her left hand finishes a phrase her left hand started. She is not to practice with this sheet. This worksheet was a visual exercise only. When playing the song, Clara is to continue practicing Criss Cross from the RCM book to ensure she plays each note with the correct hand. Clara also learned how to draw a treble clef! Finally, we tried more sight-reading this week with Bumper Cars. Clara was given 5 minutes to look at the whole piece before being asked to play it as best as she could given what she saw. We will continue this sight-reading exercise when starting new pieces. Clara can start to practice Bumper Cars at home. We will review this next week.
Thank you everyone!
Looking forward to seeing everyone’s progress in October!
Preferred Books for Katie’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.






