Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Assignments from Thursday September 18th
Hello Everyone!
Thank you for all your hard work this past week! We’re making some great progress!
Georgia
Today we looked at page 26 of the Alfred’s piano method book. We reviewed note values and time signatures and discussed how many beats can fit in each bar as dictated by the time signature given for the specific song. We also learned what D.C al Fine and Fine mean in music. These are Italian terms that will help guide Georgia through the “map” of the song. D.C al fine (Da Capo al fine) is used to indicate that the pianist should return to the beginning of the song and play until the bar marked “fine”, this is the “end” of the song. When practicing the song on page 26, please remind Georgia of these markings! Georgia has also been given a new worksheet to fill out this week. The worksheet reviews notes written in the bass clef. Using the mnemonic phrases “Green Bugs Don’t Fly Away” and “All Cows Eat Grass” Georgia should fill in the letter name for each note in her worksheet. We will correct this next week in class. Please also remind Georgia to practice “The Clown”. She can use her new mnemonic sayings to read the notes in the left hand. Remember, please do not write the letters in the book to help challenge Georgia’s sight-reading skills!
Noreet:
Today we reviewed the Elf’s Silver Hammer and talked more about how to tell a story with music based on certain musical choices like which octave to play in and how soft or loud to play a song. We also reviewed the left hand of Ode to Joy and sight-read the left hand. Noreet’s focus this week should be the left hand as it varied between to patterns of notes. When she has played the whole song start to finish with the left hand, encourage challenge her by isolating one phrase in the left hand and asking her to play it for you! Please help Noreet by reminding her that the left hand starts with descending notes before jumping back up. Noreet can start to play the first 3 lines of Ode to Joy hands together! Review the left and right hands separately before practicing these lines hands together. When practicing hands together, encourage Noreet to play slowly so that she can take note of when her left and right hand move in contrary motion (opposite directions) and when they play in parallel motion (same direction).
Benji:
We used Benji’s new Piano Adventures Lesson book in class today! Thank you for picking this up! In the book, we reviewed Little River. When practicing this song at home this week, try using a metronome! You can find this for free via google. The metronome taps the beat of the song to help reinforce a steady tempo (speed). Set the metronome to 85BPM (beats per minute) and encourage Benji to play the notes in time with the metronome. Each quarter note should be the same length as 1 click of the metronome, while each half note is worth 2 clicks. Use the metronome to ensure each quarter note is played for an equal amount of time (1 beat, no more no less). Please help Benji practice Little River by reminding him that the entire first phrase should be played with his right hand as dictated by the treble clef (the tall curly symbol) written at the start of the line, and the entire second phrase is played in his left hand as dictated by the bass clef (the backwards C symbol) written at the start of the second phrase. We will review this next week.
Eva:
Today we learned the first phrase of “Classic Dance”. When practicing Classic Dance, remind Eva that her hands should be in C-Position with the thumb of her right hand, and the 5th finger of her left hand both on a C (they should be one octave apart C-C). Her other 4 fingers should line up with the 4 notes above C (D,E,F,G) with the thumb of her left hand, and 5th finger of her right hand both on a G. When practicing, encourage Eva to not move her fingers from their designated note! She can play the opening two chords in her left and right hands with her 1st, 3rd, and 5th fingers, then step down the scale at the end of the phrase with her 4th finger, 3rd finger, 2nd finger, and 1st finger (thumb). We will review these fingerings next week in class. Please note, the first and last lines of this song are identical! Encourage by reminding her that she already know two thirds of the song! Have Eva read both lines this week. We can learn the middle line in class together.
Clara:
Today we played The Giraffe! We recorded both The Giraffe and Ladybug today so that Clara could hear her performance for herself. Continue to encourage this listening activity at home so that Clara can decide what she likes about playing a song and where she might want to improve. When reviewing Ladybug, Clara pointed out that her favourie part of the song is the phrase with the F# in it. She likes that this part sounds a little odd compared to the rest of the song. We then learned why it sounds odd by reviewing some scales and key signatures. Clara has a worksheet with the scales C-B Major, she knows these scales up to A, E Major and B Major are new. On the back of this sheet is a Circle of 5ths. We learned that the circle works like a clock to tell us how many sharps or flats a specific key signature has. Clara knows that if you move one space to the right, you add one sharp to the key signature. Using the circle, please have Clara fill in the missing sharps in the E Major and B Major scale of the worksheet. Finally, we started the Haunted Mouse! This is review for Clara as this song appears in the Piano Adventures Level 1 book. Encourage her to practice this song hands together at home and let her record herself when she feels ready.
Christian:
I’ve uploaded a copy of the Scientist for you! You can find that here. For this week, practice forming the chords hands separately. Once you can confidently identify and play the notes used in each chord, you can then practice switching from chord to chord with both hands together – play each chord only once. Pay attention to which inversion of the chord you play and where your fingers have to move to from chord to chord. When you fee confident in building the chords and the chord progression, you can refer back to the sheet music and practice alternating hands – remember, you always start the new chord with your right hand!
Thank you everyone!
Have a great week!
Preferred Books for Katie’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.






