Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Assignments from Thursday, September 11th
Hello Everyone!
Excellent start to the school year so far!
Georgia:
The last two weeks we have been reviewing Georgia’s progress in the Alfred’s Method Book so far. Georgia has been explaining and demonstrating concepts she is familiar and comfortable with, and together we have reviewed any unfamiliar notes, symbols, and concepts we’ve come across. Today we reviewed Time Signatures – including 4/4, 3/4, and 2/4 time, the difference between Legato and Staccato markings and playing technique, and the symbols for sharp and flat notes. We have started “The Clown” in the Alfred Piano Method book. We learned the first phrase together in class. Georgia’s challenge this week is to not write the note names in the book. This will take more time, but when given the starting note Georgia can assess the distance between each note and find the answer without having to read the letter names. Should she get stuck when sight-reading, ask her if the next note is higher or lower than the previous note and by how many steps on the staff/piano. Encourage Georgia to review the first phrase we learned in class (her starting notes are D in the left hand and G in the right hand) and to try reading the second phrase on her own at home. Remember; this song has a B flat! We will review and learn more of “The Clown” next class.
Noreet:
Noreet is starting Unit 3 of her Piano Adventures 2A method book! She can continue to warm up with “My Daydream” from Unit 2. Unit 3 starts with “Ode to Joy”! In class we learned both the right and left hand for the first two lines. Encourage Noreet to review these hands separate before practicing hands together. For the rest of the song Noreet can practice hands separate. We read the right hand in class together. Challenge her to sight-read the left hand at home on her own! We also reviewed the concept of “The Phrase” as indicated by the legato markings in “Ode to Joy”. When practicing the first two phrases hands together, Noreet should pay attention to where each Phrase starts and ends in the song, making sure all notes are fluid and connected from start to end of the Phrase. We will continue more of “Ode to Joy” next class.
Eva:
I’m sorry we missed you today! Continue to encourage Eva to practice “The Haunted Mouse” at home. You can remind her that this would be an awesome song to play around Halloween!
Benji:
Today we reviewed the notes on the staff and corrected Benji’s Notes on the Staff worksheet! We also learned more about Time Signatures, Note Values, and Rhythms. Benji has been given a new fill in the blank worksheet this week that covers these concepts. Paying close attention to the Time Signature (4/4, 3/4, or 2/4) Benji needs to fill in the missing note, or notes, in each bar using either a quarter note (1 beat), a half note (2 beats), a dotted half note (3 beats), or a whole note (4 beats). Remember, the top number of the time signature tells you how many beats belong in each bar (4, 3, or 2). We also reviewed “Little River” from the Piano Adventures Song book. I’ve uploaded “Little River” to the google drive, here! When practicing “Little River” this week, encourage Benji to use all 5 of his fingers as the notes walk up and down the staff/piano. “Little River” is in C Position on the piano. Please help Benji find C Position by asking him to put his thumb on Middle C and line up the rest of his fingers with the next 5 notes on the piano (D, E, F, G). Each finger should have its own note to play! The first note of “Little River” is Middle C! Benji should play this note with his thumb and use his index, middle, ring, and pinky fingers (his 2nd, 3rd, 4th, and 5th fingers) as the notes get higher on the staff/piano. Use the same technique for the second phrase in the left hand; start on G with the thumb and walk down the keys to C, which should be played with Benji’s 5th finger. Focus on pressing one note down at a time with each finger! We will review playing in C position and “Little River” next class.
Please also note; the piano method book Benji currently has is a theory book. We can still use this in class as it is a companion book for all the songs, but it would be helpful if Benji also had the lesson book. Here is link to the Piano Adventures 1 Lesson book.
Clara:
Today we reviewed “The Ladybug Waltz”. Clara demonstrated that she can play this song hands together at a manageable tempo with accurate notes and consistent rhythms! We then recorded this song so that Clara could focus on listening to her own performance. She was encouraged to listen for one thing she liked about how she plays “The Ladybug Waltz” and one thing that may benefit from more practice. When practicing songs at home, encourage Clara to record herself so that she can appreciate her efforts and maybe identify areas where she wishes to improve. We also reviewed “The Giraffe” together. As this song has large leaps, we examined the Intervals in the piece to help make it more clear how big each jump is from note to note. Using the C Major scale as an example, Clara learned all Major and Perfect intervals including a Perfect 1st, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, and a Perfect Octave. We then compared these Intervals to their Solfege syllables (Do, Re, Mi, Fa, So, La, Ti, Do). For this week, Clara is encouraged to not play this song with the pedal for now and to continue identifying the intervals between each note. We will review the use of the pedal in “The Giraffe” next week when Clara is feeling more confident with the notes in the song.
Thank you everyone for a great start to the school season!
I look forward to seeing how everyone improves in the next coming weeks!
Preferred Books for Katie’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.






