M.Mus (UofT) in-progress
B.Mus (Eastman)
Gordon is a percussionist and educator interested in performing, creating, and engaging within a multitude of musical styles, invested in how music might be embodied in a variety of forms through joyful exploration.
From Tampa, Florida, Gordon became acquainted with music through piano lessons, eventually moving on to drum set and marching percussion in high school. In 2019, Gordon completed his undergraduate studies at the Eastman School of Music under the tutelage of Michael Burritt. At Eastman Gordon performed and premiered works with the Eastman Wind Ensemble, Eastman Percussion Ensemble, and Musica Nova in addition to serving for two years on the board of the student-led new music ensemble, Ossia.
He is also interested in the intersection between music and technology and has contributed to creative projects with the Eastman Audio Research Studio and the University of Toronto Percussion Ensemble.
Gordon is currently working towards completing his Master’s degree at the University of Toronto under the instruction of Aiyun Huang.
Get to know Gordon…Beyond the Bio!
Hobbies: Spending time with family and friends, watching movies, reading, spending time outside, tossing a frisbee and playing Spikeball
Musical influences: Rush, Mutemath, Max Roach, My Brightest Diamond, Son Lux, Rachel Podger, Michael Burritt, Steve Schick, Paul Rennick, Sarah Kirkland Snider, Jess Ray, Mark Andre…
Favourite food: Kanafeh (Middle-Eastern dessert)
Least favourite food: Brussel sprouts
Favourite music: Rock, Jazz, Contemporary Classical, Indie-folk, Electronic
Favourite song: One favorite is Humble Heart by Jess Ray
Favourite movie: Another favorite is Tree of Life by Terrence Malick
Favourite movie music: Bernard Herman in Vertigo, Ennio Morricone in Once Upon a Time in the West
Favourite musical theatre/opera: Hamilton, Invisible Cities by Christopher Cerrone
Best quote from your teacher: “Listen…”
Favourite quote: Romans 8:37-39
Favourite book: The Giver by Lois Lowry
Best thing about teaching at ABC: Sharing music with the students.
Latest Homework from Gordon
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April 28th Assignments
Hi Everybody! Glad to hear that subbing with Pino went well! Sorry for the late assignments, hope that you’ve still been able to work on what what was covered in the lesson!
Lucas
Recommended Practice Time: 15-30mins every day
What to practice: Keep working through Lesson 3 and focus on the beats!
Ella
Recommended Practice Time: 30mins every day
What to practice: Keep practicing through Verbatim.
How to practice effectively: Keep using check patterns for the chorus groove and think about putting more weight on the 3rd beat rather than the 16th note that precedes it, thats going to help get you closer to the right feel. Then practice getting through the fills and playing it along to the song!
Jonah
Recommended practice time: 30mins every day
What to practice: Congrats on a great job playing in the recital!!!! Have some fun this week playing to whatever songs you want!
Samson
Recommended practice time: 30mins every day
What to practice: Fantastic job playing in the recital!!! Great to see some improvements with your listening skills and see you stick with the song.This week we’ll keep working on Coffin Dance so keep practicing the tricky parts!
Sylvie
Recommended practice time: 30mins every day
What to practice: I heard Pino got you working on some cool diddle patterns for the hand exercises in Lesson 9, I would love to hear them! Lets see if we can get through the Lesson 10 reading on wednesday too!
Preferred Books for Gordon’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
STICK CONTROL
George Lawrence Stone’s Stick Control is the bible of drumming. In 1993, Modern Drummer magazine named the book one of the top 25 books of all-time. In the words of the author, it is the ideal book for improving: control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution and muscular coordination, with extra attention given to the development of the weak hand.
The Art of Bop Drumming
The definitive book on bop drumming—a style that is both the turning point and the cornerstone of contemporary music’s development. This comprehensive book and audio presentation covers time playing, comping, soloing, brushes, more jazz essentials, and charts in an entertaining mix of text, music, and pertinent quotes.




