ARCT • Teachers’ Diploma (RCM) in-progress
Trained Music Together Teacher
Erin Plank (they/he) is a passionate young piano teacher. For their professional development, Erin received the highest exam scores in all of Canada last year for “Teaching Elementary Piano” with the RCM.
Erin’s main goal is to turn students into lifelong music lovers, not just pianists. I seek to provide them with the tools to practice efficiently at home, sight read a song at their friend’s piano, learn the melody to a song off the radio by ear, and nurture a technical foundation that lasts a lifetime so it’s “just like riding a bike” to play the piano. And even better, they’ll want to.
Get to know Erin…Beyond the Bio!
Hobbies: Piano, weightlifting, playing with my cat, and hanging out with friends
Musical influences: Ben Folds, Brad Mehldau, Edvard Grieg
Favourite food: Fried chicken sandwich
Least favourite food: snap peas, because I ate too many as a kid one time and threw up and now I dislike the smell
Favourite music: Romantic era piano music, Beach Boys and similar era music, math rock
Favourite song: “How Dare You Want More” by Bleachers
Favourite movie: Sing Street
Favouirite movie music: main theme for “Eternal Sunshine of the Spotless Mind” or anything Star Wars
Favourite musical theatre/opera: Wozzeck
Best quote from your teacher: “Don’t show the audience you messed up, they won’t know! Keep going!”
Favourite quote: “That’s what life is, Happy Sad”
Favourite book: Recursion by Blake Crouch
Best thing about teaching at ABC: Getting to reach and connect with so many lovely people!
Latest Homework from Erin
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Thursday February 22 Lessons – Erin P
Liam
At Night on the River – more hands seperate. Once you can really feel the 3 beats per measure in both hands this will flow a lot easier. Feel the long-short-long-short of the LH.
*New* Beethoven in Piano Pronto – 1st page. The down-up-up-up feel is super important to getting both the accent as well as the two-note slur accurate.
Jadon
Canon x Beautiful in White – YOU’RE CRUSHING THIS. Wherever you usually mess up, isolate that section and loop it multiple times successfully.
Katarina
Laundry Limbo – all 4 pieces. This unit is about playing the notes D, E and F in both hands, sometimes in unison, sometimes taking turns. Use the finger number clues over the first notes to find your starting position and keep your hands there. We want to make sure all our fingers get to play.
C scale – both hands, seperately.
Sara
Maple Leaf Rag – In spots where the LH plays the same chord multiple times, use a loose and floppy wrist to play the keys in the same manner that you do when making large quick leaps. This will help to keep the volume of LH down, and minimize tension.
Satin Doll – Nice job! Thicken up some of the dotted quarter notes so there’s no “holes” in the melody.
*New* Warsaw Session – Counting and being accurate with the LH is most important thing here. Begin hands seperate for sure, and draw lines to show which beats the RH goes in between if helpful.
https://www.musictheory.net/exercises/ear-interval/afrdyyngneyyyyyy
Marco
Superman Theme – Nice work! The 1st section continues a few measures onto the second page. When playing through the RH, tap or say the main steady pulse. I want you to know which melody notes fall on the beat.
*New* Song of the Dark Woods – 2 lines. This piece is in D minor. The fingering is very important to getting a legato texture.
Keep all technique prepared.
Daniel
Pierrot Skipping – All. More staccato in the RH. Don’t worry about tempo, just worry about keeping it steady and accurate.
Keep all technique skills prepared. This week, focus on getting your G major formula as good as your C one.
*New* River Dance – pg 1. This piece moves small melodies to nearby keys a whole step away. Be sure to notice the tied note in the opening melody.
Marita
Prelude V – Nice job! We’ve now read through the entire thing. Be sure to add in the dynamics for the call and echo part.
Greta – please register for level 1 exam. Teacher code 130747
The Snake – YOU KILLED THIS!! Great work. Now really add in some dynamics to bring the snake to life. Amazing fingering accuracy.
*New* Angelfish – Evenness is the main point of this piece. Go slow enough that you can “get to” the higher notes with your crossed over LH on time. Steady even fingers is the goal.
Saturday May 13 Lessons – Erin P
Enjoy the sunshine this week and Happy Mother’s Day to all!!!
Isabella
Princess or Monster – Practice this one loud and slow like a Monster and I will learn the duet to play it with you next week. To make sure you have it a steady tempo, please try playing it with the accompaniment found by scanning the QR code on the page.
B Major scale – This scale has only 2 white keys = B and E. RH fingering is like normal 123 12345 (thumb on white keys), and LH starts on 4321 4321. Great rounded fingers today!
Jadon
Stairway – Here is a video of the composer himself playing this. You were very successful sightreading this today!
Continue to work on Interstellar and Canon x Memories.
Marco
Indiana Jones – HT for the measures 5-13 and just the RH melody until the end of page 1. Notice the “pickup” beat that the melody begins on – this means the RH will play E and F alone, and then the LH chords will begin as RH plays G. Bite sized steps to work up to this can include: tapping the LH quarter notes on your lap while playing the RH, or just playing the LH root notes while RH plays like I showed you today.
Never Gonna Give You Up – Chorus played hands together until the end of the song. Notice the one higher variation of the melody I circled on the lyrics “say goodbye”.
*New* Going Undercover – This piece uses a repetitive C Minor riff in the RH and layers it over ascending and descending basslines to sound like video game/movie music. The most important thing here will be keeping it EVEN with a very steady pulse. The first half of the piece the LH descends slowly, and the second half the LH ascends using staccato quarter notes to keep the pulse. First step is to learn both hands at a steady tempo before combining them.
Daniel
The Wind – Amazing! This was 95% of the way there today, so our goal to make it 100% can be achieved by smoothing out the typing of lines 2 and 3. Notice the fingering I highlighted in pink will make you able to play these triads with zero hesitation in between.
Ditty of Yimeng Mountain – really nice improvement. Goal this week is to be able to play through without repeating the notes where one phrase ends and the other begins. Go at a slow enough tempo that you can keep it pushing without stops. The rolled chord timing is great now, keep it up. Notice the easier fingering we wrote for the final LH phrase as well.
*New* Stairway – Here is the composer himself playing this. The LH is simply a descending F major scale. The RH has some syncopated parts, which you played accurately today, and if you need a reminder of the counts for them, look the middle exercise on the reverse of your paper. I look forward to seeing what you achieve with this this week!
Next week I will hear your formula pattern and we will move on from them to other technique IF you ever showing me accurate fingering and the ability to change directions without stopping the scale.
The song ending I taught you begins on the root note of whatever key the song you’re ending is in, so for example a C Major piece would end like: C E F F# G A B C C.
Julian
*New* Sword Dance – this piece is in ternary form (ABA). The A section is when the sword fighting is actively happening and should be loud, definite and fast. The B section is when our swordsman is traversing high cliffs and is taking cautious steps to make sure he doesn’t fall – it should sound quieter, smoother and slower. Then the fight begins again as the A section returns. The notes are not the tricky part in this piece, the attention to detail and artistry is our learning outcome of this one so get dramatic with it!
Continue to practice your hands together C Major scale. You played it accurately today in lesson, but it can be more confident and secure with steady practice. Warmup with it each day :)
Preferred Books for Erin Students
Click to buy them here, and they’ll come right to your house! What could be easier?
BOOK TITLE
COMING SOON
Faber Piano Adventures

The 2nd Edition Level 1 Lesson Book introduces all the notes of the grand staff, elementary chord playing, and the concept of tonic and dominant notes. Students play in varied positions, reinforcing reading skills and recognizing intervals through the 5th. Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh, musically appealing way.
Piano Safari

