ARCT • Teachers’ Diploma (RCM) in-progress
Trained Music Together Teacher
Erin Plank (they/he) is a passionate young piano teacher. For their professional development, Erin received the highest exam scores in all of Canada last year for “Teaching Elementary Piano” with the RCM.
Erin’s main goal is to turn students into lifelong music lovers, not just pianists. I seek to provide them with the tools to practice efficiently at home, sight read a song at their friend’s piano, learn the melody to a song off the radio by ear, and nurture a technical foundation that lasts a lifetime so it’s “just like riding a bike” to play the piano. And even better, they’ll want to.
Get to know Erin…Beyond the Bio!
Hobbies: Piano, weightlifting, playing with my cat, and hanging out with friends
Musical influences: Ben Folds, Brad Mehldau, Edvard Grieg
Favourite food: Fried chicken sandwich
Least favourite food: snap peas, because I ate too many as a kid one time and threw up and now I dislike the smell
Favourite music: Romantic era piano music, Beach Boys and similar era music, math rock
Favourite song: “How Dare You Want More” by Bleachers
Favourite movie: Sing Street
Favouirite movie music: main theme for “Eternal Sunshine of the Spotless Mind” or anything Star Wars
Favourite musical theatre/opera: Wozzeck
Best quote from your teacher: “Don’t show the audience you messed up, they won’t know! Keep going!”
Favourite quote: “That’s what life is, Happy Sad”
Favourite book: Recursion by Blake Crouch
Best thing about teaching at ABC: Getting to reach and connect with so many lovely people!
Latest Homework from Erin
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Thursday January 4th Lessons – Erin P
Happy 2024!! This year is going to be so musical and amazing. Everybody came back sounding like they hadn’t even spent time away from the piano, so cool! Congrats to 4 of you that completed BINGO <3
Grace
Sonatina Bureaucratique – Detach between octaves in last line of page 1. Top line of page 2, 3rd measure. Practice between 2nd and 3rd chord a bunch, then between 3rd and 4th chord.
Beethoven Sonatina – break line when written if you agree it sounds good. Listen to recordings to see how you want to play grace notes.
Liam
Russian Medley – page 1 HT. There is lots of tied notes used here and as a result, the melody rarely begins on beat 1, be aware of this. Take a few practice sessions of hands seperate and then put it together.
*New* Harlequinade – HS. This is in Eb major. Detach all 8th and quarter notes unless they are explicitly marked legato. Break the line where written (I have added arrows). Go slow and focus on the details:) Listen here.
Harmonic and melodic scales – Bm, Dm, Gm. Harmonic means to raise the 7th note. Melodic minor is different each direction: Up is raised 6 and 7 like a major scale, going down lowers 6 and 7.
P.S You CRUSHED Walk the Talk. Give yourself a pat on the back. Sounded so cool.
Jadon
Avengers Endgame – HS practice from after star on page. The 4 bar chord progression of E minor / E minor / A major / C C D D repeats three times. However the 2nd time it goes to B major instead of C and D.
**Bring Fired Up! next week**
Sara
Maple Leaf Rag – nice work trying to bring out top note. Melodic shape is really coming along. Very very proud of this one.
Cloud Dance – dynamics and shaping. Picture the story we made of the sunset in your mind as you play and try and put it into the listener’s mind.
Jupiter – fix dotted rhythm. Think of top notes to project the melody further.
Marco
On Your Mark – full first page hands seperate. When that is learnt, you can definitely do the first 3 lines HT. Keep your hand in G minor position as much as possible, it will be easier for your fingers to remember their patterns.
Indiana Jones – HT measures 5-12 every single time. Remember the LH comes in on the 3rd note of each melodic fragment. Then the LH plays again on beat 3 in the space between the melody.
C F G scales. They all use the same fingering except for RH F is an exception. It goes 1234 1234 because of the Bb. ***Try and put them hands together slowly this week*
Daniel
Home Run – great syncopation!! Work to lighten up everything except the accented notes. Add in the B section hands together now. I have drawn arrows to show the syncopation. Notice the tied notes. Chord progression stays the same. It should have a fun carefree vibe to it.
*New* Etude in F Major. Listen here. This piece is beautiful and the opening melody reminds me of Silent Night! LH is legato. I have drawn little half circles over the LH to show the motion the wrist should be doing, like painting a rainbow or driving a hot wheel car over a small hill over and over again. Let your wrist and arm help you play the LH with zero effort. Next week we will go through and identify all the chords used.
Greta
Swan Lake – we added in fingering that makes playing the melody legato possible! Great job with the rhythms and syncopation between hands.
*New* Into the Waves – careful reading is necessary here because not every collection of notes is a triad. Many patterns repeat in different octaves so notice that. When a single line is marked legato and played with two hands, the goal is for the listener to not be able to tell it is split between hands. This can be achieved by having a similar volume and tone between notes, as well as even and consistent timing. Listen here.
C F and G major scales. All use the same fingering except for RH F has to use 1234 1234 because of the Bb. F Major only has one black key, Bb. G only has one black key, F#.
Saturday December 2 Lessons – Erin P
Happy December! Enjoy your time at the piano and your time with loved ones <3 Your hard work is paying off!
Maria
Arctic Voices – All. The last line is the only new part this week, and reuses a lot of chords from earlier in the piece. Add pedal this week and bring the dynamics to life as well. You are creating a soundscape. Imagine you are the soundtrack of a “Planet Earth” style nature documentary of the arctic.
Witches and Wizards – All. We played through the entire thing in class. Rely on the accents of 123456 to help keep a rhythmic motor going throughout.
Tattoo – Great work!! You should be very proud of your work on coordinating the hands together. Now apply the same exact method to the first 8 bars of the piece. The only difference is at the very end, there are four 8th notes where only two quarter notes used to be, but this is still nicely on the beat and not syncopated.
Shakira
Play through any of the papers I have given you thus far for note reading practice.
Today we learned about how triads are created from a major scale and how roman numerals are used. I, IV, V and vi make up most of all pop/rock music.
Practice finding C F and G (I, IV and V in the key of C) with your LH pinky. Then practice adding the 5th on top of it with your thumb and maintaining that interval within the hand. Try to have the rest of your fingers be relaxed while doing so, anything else creates unncessary tension that could one day turn to pain.
C major scale – right and left seperately. Remember the RH fingering is 123 12345, and the LH is 54321 321.
Keep Doing What You’re Doing – chords change on beat 1, then beat 4, then beat 4. Refer to this if you need help.
Preferred Books for Erin Students
Click to buy them here, and they’ll come right to your house! What could be easier?
BOOK TITLE
COMING SOON
Faber Piano Adventures
The 2nd Edition Level 1 Lesson Book introduces all the notes of the grand staff, elementary chord playing, and the concept of tonic and dominant notes. Students play in varied positions, reinforcing reading skills and recognizing intervals through the 5th. Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh, musically appealing way.