Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Assignments from March 5th
Hello Everyone!
Georgia:
When practicing The Rainbow this week Georgia is to play hands separate while counting out loud. She should focus on the last line specifically and ensure she observes the rests written in both lines. Georgia should count through the rests to help her understand when her left hand takes over for the right, as the right hand starts before the left in this phrase. In the first two bars of the phrase Georgia’s left hand is to play on beat 3, and in the third bar of the phrase the left hand comes in on beat 2. Georgia should count out lout when reviewing the previous three phrases as well as this will help her understand how the right and left hands fit together when she is ready to try playing hands together. When she has reviewed all phrases hands separately, Georgia can try playing hands together while still counting out loud very, very slowly. Please encourage Georgia to count out loud as she plays as the audiation of beat will provide her structure, especially when trying to play hands together.
Noreet:
Welcome back! Today we reviewed Moonlight Melody! For this week Noreet should practice this song hands separate so that she can focus on the rhythms of the song. She can use a metronome to help her hear the beat, but please encourage her to count out loud, and please make sure she is counting in 3/4 time not 4/4 time. For the sequence in the second phrase, please remind Noreet that the last interval of the pattern is a 3rd! Noreet should also use the pointer finger of the hand that is not playing to trace the line as she plays to help her watch the sheet music as she reads and to help keep her on track. Once she has reviewed the whole song hands separately she can try playing the song hands together slowly if she feels comfortable doing so. She should continue to count out loud as she attempts hands together.
Benji:
When practicing Young Hunter this week, encourage Benji to practice the song in small chunks. Specifically, have him review bars 5-8 hands separately, counting out loud, before he tries to play the 4 bars together. When practicing this phrase, encourage him to use his 5th and 3rd fingers on both hands to help him as the phrase alternates between the same a G and an E in the right hand and an C and an A in the left hand. He will be using the same fingers to play different notes. Please encourage him to count out loud when trying to do this hands together so he can see how the two lines move together. Benji can then go back and review the first and last phrases of the song (they’re the same notes). Please remind him that the left hand of these phrases descend from C to A to G as he sometimes likes to play these ascending from the C.
Clara:
When practicing the Pink Panther theme this week, Clara should focus on mimicking that “swing” feel heard in the song. Use a recording of the song as reference so that she can hear the loose and smooth quality of the eighth notes specifically. Clara should also continue to practice the B section of the Musette. Challenge her by asking her to play the right hand with her eyes closed. If she can navigate the right hand without needing to look, she can then focus on lining up her octave jumps. She can also practice the timing of the B section by eliminating the octave jump entirely and simply play the eighth notes all on the upper or lower E. This exercise is purely to be used to practice the rhythm of the two hands, we will add the octave jump back in when she is more confident in the right hand. Finally, we have started Marry Had a Little Lamb in the RCM Level 1 book! Clara can play the whole song hands separate to practice the map of the song, but when playing hands together she needs to take it one bar at a time as the song is in canon between the two hands. She should practice hands together very slowly while counting out loud to help her navigate the dotted syncopated rhythms.
Thank you everyone!
Looking forward to more great lessons this March!
Preferred Books for Katie’s Students
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Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.






