Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Efe November 29th
Hi Efe! Here’s a list of today’s homework in detail.
E Major string crossing
- 65BPM fastest. Strictly. — Do this alongside my video.
- Practice it as we did in class. 8 reps, 2 bars of rest. Then do that again. Until 5 whole minutes have passed.
- Pay close attention to one hand at a time. Take time to correct what mistakes might be done on one of the hands. Then do the same with the other hand. The mistakes I saw today: the picking pattern was not being followed; ingrain the habit of picking this down-up-down-up. The left hand fingerings were not being followed; it is always supposed to be 4, 1, 2, 0. Never use finger 3.
Goals:
- String crossing. I want to ensure that this is not such an issue later on. Many guitarists have this as a weakness even in their later years. It’s best to iron it out now.
- Picking patterns. Learning and sticking to the (picking) directions in a tab.
- Physical prep of the whole body when playing these techniques. Playing with worse posture will inevitably make your music sound worse or your body feel worse.
D & G chords’ transitioning
- Keep trying with this.
- Get the chords’ fingerings right. The main issue was with the D chord today.
Goals:
- Get used to the different postures of the wrist we’ve been talking about.
- Get accustomed to the wrist posture that is farthest out from the body. Remember: the guitar body should hang a little lower than your right knee. This will allow space for your left hand wrist to work properly.
Posture
- Play any chord or single note with proper posture.
- Remember: Straight, Strong, Comfortable. These things will ensure that your body is in good posture. This is important because I don’t want you to build bad habits or get any injuries.
- Standing
- Sitting
Goals:
- This is a very basic exercise told in order for you build the habit of having proper and reliable in all of your body. From your legs up to your head. — Keep ensuring that you’re following all the directions that result in maintaining good posture. See my pictures in this Google Drive: https://drive.google.com/drive/u/0/folders/1cURXZdyFoL_6FZX5V4COTxCljwXKq8wO
Little Drummer Boy
- Its faster tempo — Do this both with the video of the melody and without it.
- Its slower tempo — Do this with both the video of me strumming and without it.
Goals:
- Learning to fluidly play alongside a melody.
- Get the feeling of strumming a song.
- Get the feeling of this song’s strumming pattern.
I know that these exercises can be frustrating. But you can do it, Efe. Remember: This process is not an overnight change. Keep on going strong!
See you in a week!
Preferred Books for Katie’s Students
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Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.
