Christopher Hull is a percussionist and ethnomusicologist whose work focuses on tensions between tradition and innovation in contemporary music. As a passionate performer of solo, chamber, and orchestral percussion, he seeks to ground his work in his classical training while simultaneously transcending the conventions of the conservatory. With classical percussion degrees from Wilfrid Laurier University and University of Alaska Fairbanks, a performing arts certificate from the Arts Institute of Indonesia Denpasar, and his current studies in ethnomusicology at the University of Toronto, Christopher’s genre-defying work exhibits a world of experience.
As an orchestral percussionist, he frequently works with the National Academy Orchestra of Canada, the Hamilton and Thunder Bay Symphony Orchestras, and Sinfonia Ancaster. He has appeared as a chamber musician and soloist in festivals such as Open Ears, International Gamelan Festival Munich, Young Artists Niagara, and Sacred Rhythm Jakarta, and can be heard playing drums, vibraphone, and synthesizer on commercial recordings by Call Me Moon and Treephones. He is also Associate Artistic Director of Toronto-based Evergreen Club Contemporary Gamelan, commissioning and premiering new works for Sundanese degung, and director of the University of Toronto’s Balinese gamelan ensemble, Dharma Santi.
Get to know Chris…Beyond the Bio!
Hobbies: Reading, cycling, and synthesizers
Musical influences: Jojo Mayer, Benny Greb, David Garibaldi, Gary Burton, Tony Miceli, Steve Reich, Glenn Gould, Bill Evans, I Dewa Made
Favourite food: Noodles
Least favourite food: Quiche
Favourite music: R&B, hip-hop, funk; Western modernism and minimalism; Balinese gender wayang; Sundanese degung; Orchestral; beatsce Favourite song:!
Favourite movie: The Departed
Favouirite movie music: Old modern romantic soundtracks (eg. Spellbound)
Favourite musical theatre/opera: West Side Story/Turandot
Best quote from your teacher: “When we perform, we smile. If we make a mistake while performing, we smile bigger.” -Dewa Suparta
Favourite quote: “I’m a man who leaves nothing to chance.” -Maestro Boris Brott
Favourite book: Dance, Dance, Dance by Haruki Murakami
Best thing about teaching at ABC: The lovely students
Latest Homework from CHRIS
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Tuesday, October 8th
Josh
ACDC: Back in Black
–Wow! Great Work!!!
–Review the crash pattern during the guitar solo (parents, the sheet music may be helpful for you in this part (version 1) (version 2)
Myles
Warmups:
–Flam Paradiddles (rL-R-L-L lR-L-R-R)
–8 on a Hand, goal tempo= 130bpm using a metronome
Drumset Musician: Next week let’s do the remaining exercises
QOTSA: Keep Your Eyes Peeled
–great work
–Drill the tempo: LISTEN carefully–>IDENTIFY if too slow/fast–>ADJUST so that you line up with the track
–NExt week, we’ll learn the next section
Finn
Survivor: Eye of the Tiger
–AWESOME JOB! Huge improvements from last week
–Intro: we learned the intro this week. Sing along and play the crash-bass combo at the right times
–Verse: we learned the first drum fill of the song today. It happens during the first verse. To remember the rhythm, we recited “what what chicken but” (ta ta titi ta). It goes Snare Tom Snare-Snare Hihat.
Francisco
Warmups (30sec/ea., find goal speed):
–8 on a hand (140bpm)
–Singles (sixteenths at 140bpm)
–doubles (16ths at 90)
–Paradiddles (16ths at 90)
Bon Jovi: Livin On a Prayer: everything up until Guitar Solo section
–Excellent work
–Two new bars for you to work out at the beginning of the guitar solo
–D.S. al Coda: Remember to jump back to the Segno and then jump forward to the Coda on the second time through
Noah
Warmups (1min each per practice session):
–Triplet Exercise (1mm RH, 2mm LH) @ 95bpm
–Sixteenth-note Exercise 75bpm
Green Day: American Idiot–up to the second measure of p. 4 (midway through the Coda 1 section)
–try the floor-tom groove without the sixteenths so that you can develop the muscle memory of it being in perfect time
–drill the sixteenths in the Coda by starting with half as many (3e&a4) the do two beats (3e&a4e&a1)
Saturday, December 7th
Reminder: The next three lessons will be with Thomas while I’m away. Happy holidays and new year! See you when I’m back (Jan 11th lessons).
Jack
Benny Greb Rhythmic Alphabet
–Practice four letter words (See the handout from today for two examples), try to come up with some of your own! 1) spell the word and write it out with enough space for the dots and dashes 2) add in the dots and dashes 3) play from your newly assembled word cheat sheet!
–Play the resulting words along with “In Too Deep”
Tragically Hip: 50 Mission Cap
–Learning the beat (Bass-Snare-Bass-Snare) and playing along with the song while I play piano
Xylophone
–Learning the musical alphabet (ABCDEFG)
–Visually identifying C on the keyboard
–Spelling “Dad” and “Egg” on the keyboard
Nova
Benny Greb’s Rhythmic Alphabet (in google drive):
–Practice each letter as a single-stroke roll (R-L-R-L…). Play the dots as accents, and dashes as soft taps
–Learn two-letter words (ex. IF, NO, HI, OF, AD, IN…)
Tommy Igoe’s Groove Essentials: Groove 1 SLOW
–Playing eight-bar phrases, add in fills in the eighth measure. For some inspiration, review Drumset Musician p27 (in google drive) to see examples of four-beat fills
–Do the same with the Variation A groove
Groove 1 FAST
–Playing the basic beat without fills or variations, play along with this track and try to keep up with the faster tempo. Remember, smaller more relaxed strokes are easier to play fast than big or tense ones!
–If needed, download the MP3 from the gdrive and slow down playback (in VLC, for example) to help work up to speed
Aleksander
Warmups (30 sec each) goal tempo 160bpm:
–Single strokes (R L R L…)
–Double Strokes (R R L L….)
–Paradiddles (RLRR LRLL…)
–RLLR LRRL
–FLAMS*** pay close attention to the stroke setup: one hand high, one low. After the stroke, set up the opposite way
Drumset Musician p39, introducing sixteenth-notes
–Learn the different rhythms on this page (especially the three examples at the top of the page). Once you have the first three, can you think of how to play the others
Drumset Musician p14 ex. 7-8 (2min ea.)
Lenny Kravitz: Are You Gonna Go My Way (find the sheet music in the Frequently Used Resources folder)
–This week, learn everything up until the verse (0:32)
Koel
Warmups (1min each):
–Triplet Ex. 125bpm
–Ride pattern exercise with sixteenth exercise on the cymbal (goal tempo 90)
Tommy Igoe’s Groove Essentials: Groove 1 SLOW (track one)
–This week, practice 8-bar phrases
–On every eighth measure, play a four-beat (one measure) fill! Today we tried: [1e+a2e+a3e+a4 ] [1 + 2 + 3e+ 4 +a] [1e+ 2 +a 3 + 4 + ]. Feel free to create more! And reference the Drumset Musician fills page (27) for more ideas
–For each 8-measure phrase, switch between the different groove variations. Ex: 7 measures of basic beat–>fill–>seven measures of variation A–>fill–>seven measures variation B–> fill, etc…
Duke of Edinburgh
–Koel logs the hours
–Smart goal: measurable, achievable, and in a timely manner (end of school year)
–SMART GOALS: 1) triplet exercise up to 140bpm 2)sixteenth-note exercise up to 110bpm 3) Master six new grooves from the Tommy Igoe Groove Essentials book (2x rock, one funk, one r&b/hiphop, one jazz, one world) 4) Learn one new song
Tracie
Warm-ups:
–Triplet ex. (85bpm)
–Rhythm ex. Good! Keep focused on listening and adjusting to stay with the metronome
Four Teeth
With Thomas, begin a new song. Work on Four Teeth with Thomas (tightening things up, adding variations). In the new year, begin either Livin’ on a Prayer or Come As You Are.
Groove Essentials: Groove 1 (find chart and backing track in the Freq. Used folder)
–Basic beat with “Chad Kroeger” drum fill in measure 8
Jared
Warmups:
–Stick Control ex 14-23 (70bpm)
—-Play each exercise 4 times
Bruno Mars: Locked Out of Heaven
–Good, but you haven’t mastered the parts I circled in blue. Drill those this week, and we’ll begin a new song next time
BONUS Exercise for next week: Igoe’s Groove Essentials – Groove 1 slow (track 1)
1) learn each of the three beats at the top of the page.
2) play them along with the chart
New song: Cold Sweat by James Brown (start next week with Thomas)
Mario
Warmups (1min/ea)
–8 on a hand
–Single Stroke Roll (R L R L…)
–Double Stroke Roll (R R L L…)
–Imagine the playing surface is a hot burner on the stove…get the stick down and up fast or you might get burned! Really quick contact–jump off the drum (piston/full strokes)
Drumset Musician p27 (in google drive) – 8th-note Fills, ex. 4-6
–This week, focus on keeping the 8th-note
White Stripes: Seven Nation Army COMPLETE (chart is in Freq Used Res. folder now. sorry!)
–Keep the pace up: you’re doing everything really well, you just need to trust yourself!
Mateo
Warmups (30 sec each):
–8 on a Hand
–Single Stroke Roll (RLRL…)
–Double Stroke Roll (RRLL…)
**Think more skin on the stick (but not squeezing)
**Let the stick bounce off the drum
**Remember to dribble the basketball
Drumset Musician p27, ex. 1-3 (in Freq. Used Res. google drive folder)
–Three times through the beat, play the fill, then end with a crash
–Aim to keep the flow of the eighth-note pulse STEADY
–try looping these exercises, so that the crash after the fill becomes beat 1 of the beat again
Tommy Igoe’s Groove Essentials, Groove 1 SLOW
–Find the chart and backing track for this in the Freq. Used Resources folder
–Practice playing the basic beat along with the song. Make sure to listen carefully to stay on pace
Preferred Books for TCHRNAME Students
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