M.Mus (York U) in-progress
B.Mus (Pontifical Catholic University of Chile)
B.Arts (Pontifical Catholic University of Chile)
Colomba is a Chilean Canadian pianist and musicologist. Born and raised in Chile, she has been a piano and music theory teacher for over six years. She is currently studying an M.A. in Music at York University with the York Graduate Scholarship.
Colomba completed her Bachelor of Music as well as her Bachelor of Arts (Major in History) at the Pontifical Catholic University of Chile. During her time there, she served as Teaching Assistant in Harmony, Analysis and Music Theory courses. She also had worked as private Piano Teacher from 2016 and at Schlotfeld’s Online Music Academy throughout the pandemic.
As a pianist, Colomba served in 2019 as keyboardist in the 2022 Pulsar Award Winner (Best Jazz & Fusion Album) “Ensamble Escondido”. She also has experience as a pianist for private events and weddings. Colomba seeks to encourage her students to discover their own music tastes and creativity by balancing traditional skills and innovative methods.
Get to know Colomba…Beyond the Bio!
Hobbies: Piano, music research on Classical and Latin American Popular Music, History, Drawing.
Music influences: Music from the Romantic and Impressionist era; Chopin, Satie and Debussy in particular. Popular Music genres such as Classical and Progressive rock. Folk-rooted Latin American genres (Peruvian Landó, Bossa-Nova, Cuban Son).
Favourite food: Any dessert will do the trick. I also like Italian food, Arepas, Asian food. I’m not a picky eater so I enjoy almost any food.
Least favourite food: Beet salad. It doesn’t have too much flavor.
Favorite music: Anything that has an interesting rhythm and melody. My favorite genres are Jazz, Rock, and Latin American Folk Music. Regarding Classical Music, I’ve always been a fan of the Romantic Era.
Favourite song: I like too many songs to choose just one! Negra Presuntuosa- Susana Baca
Time – Pink Floyd
Favourite movie: No Country for Old Men.
Favourite movie music: Pirates of the Caribbean, The Incredibles.
Favourite musical theatre/opera: Carmen – Georges Bizet.
Best quote from your teacher: “a hard-working student in the long term will surpass a prodigy”.
Favourite quote: “Fools who don’t respect history are doomed to repeat it.” “Traveller, the road is only your footprint, and no more; traveller, there’s no road, the road is your travelling.”
Favourite book: One Hundred Years of Solitude – Gabriel García Márquez.
Best thing about teaching at ABC: Helping people to develop a love for music.
Latest Homework from Colomba
Is Colomba Your Teacher?
Sign up now to get your weekly assignments delivered, and never lose your homework sheet again!
March 7th
Francisco:
Mario Song: Practice with the technique explained in class for the thirds. Slowly raise the tempo of the song.
Piano Adventures p. 37 “French Minuet”. Go from beginning to end, and be particularly careful with the skips between notes that you marked on your book.
Maria Ines:
Payphone: Practice the chorus of the song several times. Use a metronome and try to slowly raise the tempo until you match the rest of the song.
In the Stars: Incorpore the pedal. Practice changing pedals each time you change a chord in the song.
City of Stars: Take a few minutes to practice the sequence on the left hand. When you feel comfortable playing that, put both hands together (first page).
Noreet:
Write a brief song with the notes indicated in class (black keys + A).
Piano adventures p. 58 “Football Game”. Make sure she’s reading the right notes and following the fingering indicated.
Miabella:
“Siamese Cats”: play from beginning to end. Remember to count in your mind, and follow a steady beat as we did in class.
Practice the following chord sequence, playing three notes in the right hand and the root note in the left hand: C-F-G-Am.
May 31th
Gerardo:
Willow Tree: Focus on the B section of the piece. Practice first with separate hands, and then put them together slowly. Go line by line, and be particularly careful with the accidentals in the piece (sharps, flats, natural).
Play the A section slowly, and try to pick up a faster tempo gradually.
Eliam:
Piano Adventures p. 54 “Elephant Ride”. Make sure to keep your hands on the keyboard at all times, and to start with your right thumb in C. Play slowly, but don’t stop between the first and the second lines.
Caedan:
Piano Adventures p. 32 “Flute of the Andes”. Read complete for the next class. The last two notes are played one octave higher (8va sign). The piece is also played with the pedal.
Practice the Zelda song, including the parts with both hands. Go slowly first, but make sure the rhythms are on the spot. Try to figure out what’s next.
Zoe:
Etude: Practice the etude with a metronome, and make sure every single note is falling with the beat, not before or after. If it is not working, go slower. Practice it with the long-short-short rhythm as well, and make sure you are passing from one hand to another smoothly.
Polonaise in G minor: Practice at the tempo indicated in class, not faster. Make sure you are following the fingerings, especially the ones indicated. For the second to last bar, try to lift your wrist a little when playing the eight notes.
Preferred Books for Colomba’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Belting - A
Written for ages 5 and 6, My First Piano Adventure captures the child’s playful spirit. Fun-filled songs, rhythm games and technique activities develop beginning keyboard skills.
John Thompson's Modern Course for the Piano
Time-tested bestseller around the world! The legendary Modern Course series provides a clear and complete foundation in the study of the piano that enables the student to think and feel musically. It’s known as the method for quick, dedicated learners. It’s also well-regarded as a self-teaching method for the mature player. The First Grade may be preceded by Teaching Little Fingers to Play and/or Teaching Little Fingers to Play More .
Mikrokosmos
Béla Bartók wrote the first four volumes of the Mikrokosmos as a series of beginning piano exercises for his son Péter. The great Hungarian composer’s complete six-volume collection represents one of the most comprehensive anthologies of contemporary technique ever assembled. This edition, consisting of the first two volumes, presents more than 100 pieces of study material suitable for first- and second-year students.
Rational Principles of Pianoforte Technique
