Christopher Hull is a percussionist and ethnomusicologist whose work focuses on tensions between tradition and innovation in contemporary music. As a passionate performer of solo, chamber, and orchestral percussion, he seeks to ground his work in his classical training while simultaneously transcending the conventions of the conservatory. With classical percussion degrees from Wilfrid Laurier University and University of Alaska Fairbanks, a performing arts certificate from the Arts Institute of Indonesia Denpasar, and his current studies in ethnomusicology at the University of Toronto, Christopher’s genre-defying work exhibits a world of experience.
As an orchestral percussionist, he frequently works with the National Academy Orchestra of Canada, the Hamilton and Thunder Bay Symphony Orchestras, and Sinfonia Ancaster. He has appeared as a chamber musician and soloist in festivals such as Open Ears, International Gamelan Festival Munich, Young Artists Niagara, and Sacred Rhythm Jakarta, and can be heard playing drums, vibraphone, and synthesizer on commercial recordings by Call Me Moon and Treephones. He is also Associate Artistic Director of Toronto-based Evergreen Club Contemporary Gamelan, commissioning and premiering new works for Sundanese degung, and director of the University of Toronto’s Balinese gamelan ensemble, Dharma Santi.
Get to know Chris…Beyond the Bio!
Hobbies: Reading, cycling, and synthesizers
Musical influences: Jojo Mayer, Benny Greb, David Garibaldi, Gary Burton, Tony Miceli, Steve Reich, Glenn Gould, Bill Evans, I Dewa Made
Favourite food: Noodles
Least favourite food: Quiche
Favourite music: R&B, hip-hop, funk; Western modernism and minimalism; Balinese gender wayang; Sundanese degung; Orchestral; beatsce Favourite song:!
Favourite movie: The Departed
Favouirite movie music: Old modern romantic soundtracks (eg. Spellbound)
Favourite musical theatre/opera: West Side Story/Turandot
Best quote from your teacher: “When we perform, we smile. If we make a mistake while performing, we smile bigger.” -Dewa Suparta
Favourite quote: “I’m a man who leaves nothing to chance.” -Maestro Boris Brott
Favourite book: Dance, Dance, Dance by Haruki Murakami
Best thing about teaching at ABC: The lovely students
Latest Homework from CHRIS
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Tuesday, March 19th
Myles
ACDC: Back in Black–DONE!!!
***NEW SONG: Livin’ On A Prayer by Bon Jovi
–Opening fill (“3e&a 4 & “)
**Please bring a binder/duotang for handouts on this one. I’ll be writing it out for you by hand
Jonah
Warmups (1min/ea)
–Triplet Exercise (Goal tempo=120)
–Sixteenth-note exercise (goal tempo=100)
–Stick Control: ex. 57-64 (160bpm)
Joel Rothman Book: Lesson 17**
Dance, Dance by Fall Out Boy: everything up until Chorus
Josh
Say It Ain’t So main beat–four times in a row
Alfred Lesson 6: exercise 1
Noah
Warmups:
–New triplet choreography worksheet (on the google drive)**
–Double-stroke progression: Natural rebound–>”pick it up” after 2 bounces–>drags/ruffs–>double-strokes
–Flams, Flam accents (careful that the LH flam doesn’t get reversed!), Flam Taps, Flam Paradiddles**
No One Knows by Queens of the Stone Age
–Keep working on the Chorus, add everything up until the coda
Robbie
Warmups (30sec/ea):
–8 on a hand exercise
–Single Stroke Roll (L-R-L-R….) playing smooth, even, controlled strokes
–Double Stroke Roll (L-L-R-R…)
–Paradiddles (L-R-L-L R-L-R-R…)
AC/DC: Back in Black
–Being learning four-on-the-snare groove from worksheet
Will
Pad Exercises (1min/ea):
–Triplet Exercise (goal tempo=135)
–Sixteenth-note exercise (goal tempo=110)
–Roll Exercises (90bpm)
–Flams, Flam Accents, Flam Taps
–Rhythm exercise 40bpm
Syncopation Ex. 2 lines 1-5
Spanish Joint by D’Angelo: full song
Saturday, May 18th
Jack
We Will Rock You
–Playing bass-bass-snare along with the beat
–filling in the gap in the beat with extra notes!
Working on two parts at once:
–LH plays “1 2 3 4” while RH plays on “2” and “4”
Robbie
Warmups (30sec/ea):
–8 on a hand exercise
–Single Stroke Roll (L-R-L-R….) playing smooth, even, controlled strokes
–Double Stroke Roll (L-L-R-R…)
–Paradiddles (L-R-L-L R-L-R-R…)
Dani California
–Playing through the whole thing, listening carefully to the changes of section
–Let’s finish this off next week!
Josh
Warmups
NEW SONG Survivor – Eye of the Tiger (click here for partial chart)
–Playing the basic beat, paying close attention to make the “3 + 4e+ ” drumfill happen at the right time (snare-tom-snaresnare-hihat)
Jared
Padwork (1min/ea)
–Linear triplets (R-L-K…) goal tempo this week=130bpm (steady, smooth)
–Triplet ex. (Goal Tempo=130)
–Sixteenth-Note Exercise (goal tempo = 100)
–Flam Taps: try “breaking down” this rudiment (slow–>max speed–>slow)
–Singles, Doubles, Paradiddles – goal tempo: 130bpm
NEW SOng***Stevie Wonder: Superstition
–(sorry, it’s in the google drive folder now)
–Work on intro, including fills
–play everything up until the breakdown, we’ll learn that big fill next week
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