Christopher Hull is a percussionist and ethnomusicologist whose work focuses on tensions between tradition and innovation in contemporary music. As a passionate performer of solo, chamber, and orchestral percussion, he seeks to ground his work in his classical training while simultaneously transcending the conventions of the conservatory. With classical percussion degrees from Wilfrid Laurier University and University of Alaska Fairbanks, a performing arts certificate from the Arts Institute of Indonesia Denpasar, and his current studies in ethnomusicology at the University of Toronto, Christopher’s genre-defying work exhibits a world of experience.
As an orchestral percussionist, he frequently works with the National Academy Orchestra of Canada, the Hamilton and Thunder Bay Symphony Orchestras, and Sinfonia Ancaster. He has appeared as a chamber musician and soloist in festivals such as Open Ears, International Gamelan Festival Munich, Young Artists Niagara, and Sacred Rhythm Jakarta, and can be heard playing drums, vibraphone, and synthesizer on commercial recordings by Call Me Moon and Treephones. He is also Associate Artistic Director of Toronto-based Evergreen Club Contemporary Gamelan, commissioning and premiering new works for Sundanese degung, and director of the University of Toronto’s Balinese gamelan ensemble, Dharma Santi.
Get to know Chris…Beyond the Bio!
Hobbies: Reading, cycling, and synthesizers
Musical influences: Jojo Mayer, Benny Greb, David Garibaldi, Gary Burton, Tony Miceli, Steve Reich, Glenn Gould, Bill Evans, I Dewa Made
Favourite food: Noodles
Least favourite food: Quiche
Favourite music: R&B, hip-hop, funk; Western modernism and minimalism; Balinese gender wayang; Sundanese degung; Orchestral; beatsce Favourite song:!
Favourite movie: The Departed
Favouirite movie music: Old modern romantic soundtracks (eg. Spellbound)
Favourite musical theatre/opera: West Side Story/Turandot
Best quote from your teacher: “When we perform, we smile. If we make a mistake while performing, we smile bigger.” -Dewa Suparta
Favourite quote: “I’m a man who leaves nothing to chance.” -Maestro Boris Brott
Favourite book: Dance, Dance, Dance by Haruki Murakami
Best thing about teaching at ABC: The lovely students
Latest Homework from CHRIS
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Tuesday, October 10th
MYLES
JONAH
JOSH
NOAH
WILL
Saturday, December 23rd
Happy Holidays!
NOVA
-Warmups (30 sec each)
–8 on a hand
–Singles; doubles; paradiddles
–Roll exercise (apple-apple-watermelon-watermelon)
*Alfred Lesson 6 ex. 1-6
*New Song: Scott Pilgrim
–Work on the first three lines: Sound it out, play it in the correct rhythm, and get comfortable
-Xylophone
–Piano Adventures p. 33
–Call Me Maybe
JARED
Padwork:
-Triplet ex. (*Goal Tempo=130 or 125 if 130 is too fast)
-Sixteenth-Note Exercise (goal tempo = 90)
-Flams Accents = ||: lR-L-R rL-R-L :|| (*Print PAS Rudiments Chart)
-Singles, Doubles, Paradiddles – **goal tempo: 130bpm
Fall Out Boy – Dance, Dance *Half-time groove on p. 3-counting
-Extra foot exercises: 16th ex. with bass drum and doubles between LH-RF
KOEL
Warmups (1min each):
-Triplet Exercise *110bpm
-Sixteenth-note Exercise 90bpm*
Syncopation Book: p. 9 *16-bar exercise
Toto: Hold the Line
-work on two strategies for building speed (5 min ea)
-Opening drum fill (minus first note) “3 – a 4”
-Work on the verse groove bass drum: “trip-let 3…trip-let 1…”
TRACIE
Warmups
-Triplet Exercise “1-trip-let-2-trip-let…” (1measure RH, 2 measures LH)–try for 1min straight
-Stick Control **33-42 (Goal Tempo=140bpm)
-Roll exercise (apple-apple-watermelon-watermelon)
Drumset Musician p 27 7-12 with Sweet Child groove: Internalize the pulse! Count aloud
Begin work on Drain You**
Preferred Books for TCHRNAME Students
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