Guitarist Gergely Szabo has an Advanced Diploma in Music Performance from Cambrian College where he majored in the classical guitar. Over his time there, he completed 2 years of comprehensive pedagogy courses. He also gained well grounded vocal skills, as well as basic knowledge on the piano. Outside of classical music, he exhibits a repertoire of skills and knowledge in playing the genres of rock, blues, and heavy metal music. He has experience in teaching the guitar and the ukulele to a range of people aged 6 to 54.
Gergely’s teaching methods include both the use of books and digital methods. The three main books he uses to teach guitar are as follows: “Guitar Method Book 1 by Will Schmid and Greg Koch,” “Four Star Sight Reading and Ear Tests RCM Level 1,” and “Classical Guitar Repertoire and Etudes RCM Level 1.” For teaching ukulele, he uses the book “Ukulele Songs for 1, 2, or 3 players by Elizabeth Ragsdale.” Aside from these, he frequently uses the Muse Score application as a play-along practicing tool.
Gergely’s passion for music and his dedication to growing the love of music in others are the biggest reasons why he teaches guitar and ukulele. His approach to teaching involves learning through play. The material he covers with his students is always delivered in a way that is highly interactive. Most of the assigned exercises he gives involve the elements of play that students can enjoy both in class and as homework.
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Latest Homework from Gergely
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Assignments from March 5th
Hello Everyone!
Georgia:
When practicing The Rainbow this week Georgia is to play hands separate while counting out loud. She should focus on the last line specifically and ensure she observes the rests written in both lines. Georgia should count through the rests to help her understand when her left hand takes over for the right, as the right hand starts before the left in this phrase. In the first two bars of the phrase Georgia’s left hand is to play on beat 3, and in the third bar of the phrase the left hand comes in on beat 2. Georgia should count out lout when reviewing the previous three phrases as well as this will help her understand how the right and left hands fit together when she is ready to try playing hands together. When she has reviewed all phrases hands separately, Georgia can try playing hands together while still counting out loud very, very slowly. Please encourage Georgia to count out loud as she plays as the audiation of beat will provide her structure, especially when trying to play hands together.
Noreet:
Welcome back! Today we reviewed Moonlight Melody! For this week Noreet should practice this song hands separate so that she can focus on the rhythms of the song. She can use a metronome to help her hear the beat, but please encourage her to count out loud, and please make sure she is counting in 3/4 time not 4/4 time. For the sequence in the second phrase, please remind Noreet that the last interval of the pattern is a 3rd! Noreet should also use the pointer finger of the hand that is not playing to trace the line as she plays to help her watch the sheet music as she reads and to help keep her on track. Once she has reviewed the whole song hands separately she can try playing the song hands together slowly if she feels comfortable doing so. She should continue to count out loud as she attempts hands together.
Benji:
When practicing Young Hunter this week, encourage Benji to practice the song in small chunks. Specifically, have him review bars 5-8 hands separately, counting out loud, before he tries to play the 4 bars together. When practicing this phrase, encourage him to use his 5th and 3rd fingers on both hands to help him as the phrase alternates between the same a G and an E in the right hand and an C and an A in the left hand. He will be using the same fingers to play different notes. Please encourage him to count out loud when trying to do this hands together so he can see how the two lines move together. Benji can then go back and review the first and last phrases of the song (they’re the same notes). Please remind him that the left hand of these phrases descend from C to A to G as he sometimes likes to play these ascending from the C.
Clara:
When practicing the Pink Panther theme this week, Clara should focus on mimicking that “swing” feel heard in the song. Use a recording of the song as reference so that she can hear the loose and smooth quality of the eighth notes specifically. Clara should also continue to practice the B section of the Musette. Challenge her by asking her to play the right hand with her eyes closed. If she can navigate the right hand without needing to look, she can then focus on lining up her octave jumps. She can also practice the timing of the B section by eliminating the octave jump entirely and simply play the eighth notes all on the upper or lower E. This exercise is purely to be used to practice the rhythm of the two hands, we will add the octave jump back in when she is more confident in the right hand. Finally, we have started Marry Had a Little Lamb in the RCM Level 1 book! Clara can play the whole song hands separate to practice the map of the song, but when playing hands together she needs to take it one bar at a time as the song is in canon between the two hands. She should practice hands together very slowly while counting out loud to help her navigate the dotted syncopated rhythms.
Thank you everyone!
Looking forward to more great lessons this March!
Saturday, February 28th
Jack
Jack has been making great progress with the Visual Drumset Method book. Through encouragement, he now willingly uses his RH to play the snare drum (he likes to call it snake drum), and is getting in the habit to play a single beat on repeat without stopping, which is crucial for us to get into any songs in the future. I will especially like to highlight the control he has gained with both legs now, and sometimes he like to do this hi-hat and bass drum on every other beat pattern just for fun. At the moment I will like to still go through a few more pages of the book with him, just to get him in the habit of reading the score and following it, before introducing a song to him.
Nova
Nova is fast to pick up things but need to slightly work on better practising habit. We are still working on Insomnia by EVE, and we have pretty much gone through most of the beat variations in the song. Now it is all about piecing it together. Watch the score following video available below for better hint on how each beat relates to the song.
Try to play beats in conjunction, not by itself. I will also like to get back to some xylophone for next week or the week after.
Adam
Adam has been showing growth in dexterity through his practise of some basic rudiments. One thing about rudiment however is that we never stop working on these exercises, a better way to think about it is that we are building a vocabulary, a vocabulary for practising. The ideal in terms of the RLRL/RRLL exercise is to get it to however way we aim for it to sound. If the aim to get doubles and singles to sound the same, then adjust the control until your ears hear that. Things to pay attention to is stick height and matching both hands to be similar. This week I introduced the exercise of RLR LRL, and notice that even though on paper it is the same as RLRL, the idea is to be able to put an emphasis on every three hits, and in lesson we will talk about how that is achievable. A
Then we moved onto doing more of Enter Sandman. Adam’s concentration was very impressive and was able to do all the complicated transitions I mentioned regarding intro –> verse –> fill out of verse –> pre chorus. Now we are onto chorus, which although in terms of playing, it is rather easy, it has minute changes in the pattern that could be slightly complicated to master. Best way to master this, is practise with the score as much as possible, observe the details, then listen to the song, relate those details to what happens in the vocal or the guitar riff. We will work towards playing with music under speed next week. After this we will look to also try one more section of Enter Sandman and we will move on to another song.
Nicolas
We worked on Merry Go Around today. Nicolas has been building movement patterns regarding his mallets, but will still need to work on active score reading. I will be notating theory homework for him weekly, and hopefully that builds that skill but also make it a habit. In terms of the song, think about how to bring out the right hand more as it is the melody. Adjust through stick height as well as finger control. Also since the song is a waltz, a dance! think about how to sound more elegant and coherent from note to note.
Jonah
It was good to see Jonah again after several weeks of online lesson, and I am happy to see the amount of practising and self learning he did by himself. However the outro chorus of Fly As Me will just need some fluency in which I hope for him to just work on it slightly this week, and next week we will start the song Superstition by Stevie Wonder. The score has already been printed and made available on his drive.
Preferred Books for Gergely’s Students
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Hal Leonard Guitar Method
The second edition of this world-famous method by Will Schmid and Greg Koch is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. Book 1 provides beginning instruction including tuning, 1st position melody playing, C, G, G7, D7, and Em chords, rhythms through eighth notes, solos and ensembles and strumming.


