Guitarist Gergely Szabo has an Advanced Diploma in Music Performance from Cambrian College where he majored in the classical guitar. Over his time there, he completed 2 years of comprehensive pedagogy courses. He also gained well grounded vocal skills, as well as basic knowledge on the piano. Outside of classical music, he exhibits a repertoire of skills and knowledge in playing the genres of rock, blues, and heavy metal music. He has experience in teaching the guitar and the ukulele to a range of people aged 6 to 54.
Gergely’s teaching methods include both the use of books and digital methods. The three main books he uses to teach guitar are as follows: “Guitar Method Book 1 by Will Schmid and Greg Koch,” “Four Star Sight Reading and Ear Tests RCM Level 1,” and “Classical Guitar Repertoire and Etudes RCM Level 1.” For teaching ukulele, he uses the book “Ukulele Songs for 1, 2, or 3 players by Elizabeth Ragsdale.” Aside from these, he frequently uses the Muse Score application as a play-along practicing tool.
Gergely’s passion for music and his dedication to growing the love of music in others are the biggest reasons why he teaches guitar and ukulele. His approach to teaching involves learning through play. The material he covers with his students is always delivered in a way that is highly interactive. Most of the assigned exercises he gives involve the elements of play that students can enjoy both in class and as homework.
Get to know Gergely…Beyond the Bio!
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Latest Homework from Gergely
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Assignments from Saturday, September 13th
Hello Everyone!
I hope you all enjoyed your summer breaks!
Vida:
Continue to practice “March of the English” guard this week. Focus on connecting each phrase so that Vida can play the whole song start to finish without pausing. Encourage Vida to play each phrase out of order as we did in class to help her become more familiar with each individual phrase. When Vida can play all of “March of the English Guard” at a comfortable tempo, she can record herself and listen back. Ask her to identify one thing she likes about how she plays the song and if there is anything she wants to sound different. Challenge her to start reading “Coconut Shuffle” at home. Remember; this song introduces the Tie! The tie in this song will combine to value of two eighth notes resulting in the next sounded note to come in on an off beat. Focus on reading the notes first so that Vida feels more comfortable navigating each phrase before practicing the timing of the tied eighth notes. You would use a metronome to help count this rhythm. We will review this specific rhythm and “Coconut Shuffle” next class.
Berke:
This week we reviewed Beethoven’s Ecossaise in E Flat Major. Berke should continue to practicing this song hands separate in 2 chucks: the first 2 lines and then the second 2 lines (the A section and the B section). Remember, most of the song uses intervals that build the E flat Major chord (Major 3rds, and Perfect 5th), and the second phrase of the B section is the same as the first, only an octave higher. Either in your book, or by printing the Ecossaise, you can write in the intervals between notes to help you map the song. When practicing the left hand of the Ecossaise, focus on the fingering. Do your best to keep your wrists and forearms flat when rocking back and forth between the B Flat and the descending 3rds to ensure you do not injure your wrists. You can help keep your wrists flat by pressing down in the middle of the keys as opposed to the ends of the keys. When practicing “Clair de Lune” this week, please focus on the left hand from measures 5-8. When you feel confident with the notes in the left hand we can work towards playing the first 2 phrases hands together.
Thank you everyone!
I look forward to seeing how everyone progresses this fall!
Assignments from Thursday, September 11th
Hello Everyone!
Excellent start to the school year so far!
Georgia:
The last two weeks we have been reviewing Georgia’s progress in the Alfred’s Method Book so far. Georgia has been explaining and demonstrating concepts she is familiar and comfortable with, and together we have reviewed any unfamiliar notes, symbols, and concepts we’ve come across. Today we reviewed Time Signatures – including 4/4, 3/4, and 2/4 time, the difference between Legato and Staccato markings and playing technique, and the symbols for sharp and flat notes. We have started “The Clown” in the Alfred Piano Method book. We learned the first phrase together in class. Georgia’s challenge this week is to not write the note names in the book. This will take more time, but when given the starting note Georgia can assess the distance between each note and find the answer without having to read the letter names. Should she get stuck when sight-reading, ask her if the next note is higher or lower than the previous note and by how many steps on the staff/piano. Encourage Georgia to review the first phrase we learned in class (her starting notes are D in the left hand and G in the right hand) and to try reading the second phrase on her own at home. Remember; this song has a B flat! We will review and learn more of “The Clown” next class.
Noreet:
Noreet is starting Unit 3 of her Piano Adventures 2A method book! She can continue to warm up with “My Daydream” from Unit 2. Unit 3 starts with “Ode to Joy”! In class we learned both the right and left hand for the first two lines. Encourage Noreet to review these hands separate before practicing hands together. For the rest of the song Noreet can practice hands separate. We read the right hand in class together. Challenge her to sight-read the left hand at home on her own! We also reviewed the concept of “The Phrase” as indicated by the legato markings in “Ode to Joy”. When practicing the first two phrases hands together, Noreet should pay attention to where each Phrase starts and ends in the song, making sure all notes are fluid and connected from start to end of the Phrase. We will continue more of “Ode to Joy” next class.
Eva:
I’m sorry we missed you today! Continue to encourage Eva to practice “The Haunted Mouse” at home. You can remind her that this would be an awesome song to play around Halloween!
Benji:
Today we reviewed the notes on the staff and corrected Benji’s Notes on the Staff worksheet! We also learned more about Time Signatures, Note Values, and Rhythms. Benji has been given a new fill in the blank worksheet this week that covers these concepts. Paying close attention to the Time Signature (4/4, 3/4, or 2/4) Benji needs to fill in the missing note, or notes, in each bar using either a quarter note (1 beat), a half note (2 beats), a dotted half note (3 beats), or a whole note (4 beats). Remember, the top number of the time signature tells you how many beats belong in each bar (4, 3, or 2). We also reviewed “Little River” from the Piano Adventures Song book. I’ve uploaded “Little River” to the google drive, here! When practicing “Little River” this week, encourage Benji to use all 5 of his fingers as the notes walk up and down the staff/piano. “Little River” is in C Position on the piano. Please help Benji find C Position by asking him to put his thumb on Middle C and line up the rest of his fingers with the next 5 notes on the piano (D, E, F, G). Each finger should have its own note to play! The first note of “Little River” is Middle C! Benji should play this note with his thumb and use his index, middle, ring, and pinky fingers (his 2nd, 3rd, 4th, and 5th fingers) as the notes get higher on the staff/piano. Use the same technique for the second phrase in the left hand; start on G with the thumb and walk down the keys to C, which should be played with Benji’s 5th finger. Focus on pressing one note down at a time with each finger! We will review playing in C position and “Little River” next class.
Please also note; the piano method book Benji currently has is a theory book. We can still use this in class as it is a companion book for all the songs, but it would be helpful if Benji also had the lesson book. Here is link to the Piano Adventures 1 Lesson book.
Clara:
Today we reviewed “The Ladybug Waltz”. Clara demonstrated that she can play this song hands together at a manageable tempo with accurate notes and consistent rhythms! We then recorded this song so that Clara could focus on listening to her own performance. She was encouraged to listen for one thing she liked about how she plays “The Ladybug Waltz” and one thing that may benefit from more practice. When practicing songs at home, encourage Clara to record herself so that she can appreciate her efforts and maybe identify areas where she wishes to improve. We also reviewed “The Giraffe” together. As this song has large leaps, we examined the Intervals in the piece to help make it more clear how big each jump is from note to note. Using the C Major scale as an example, Clara learned all Major and Perfect intervals including a Perfect 1st, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, and a Perfect Octave. We then compared these Intervals to their Solfege syllables (Do, Re, Mi, Fa, So, La, Ti, Do). For this week, Clara is encouraged to not play this song with the pedal for now and to continue identifying the intervals between each note. We will review the use of the pedal in “The Giraffe” next week when Clara is feeling more confident with the notes in the song.
Thank you everyone for a great start to the school season!
I look forward to seeing how everyone improves in the next coming weeks!
Preferred Books for Gergely’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Hal Leonard Guitar Method
The second edition of this world-famous method by Will Schmid and Greg Koch is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. Book 1 provides beginning instruction including tuning, 1st position melody playing, C, G, G7, D7, and Em chords, rhythms through eighth notes, solos and ensembles and strumming.


