Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Assignments from January 22nd
Hello Everybody:
I hope you’re all staying warm this weekend!
Georgia:
For this week, Georgia is to continue practicing “Waltz Time”. The song is in good shape, Georgia is playing the phrases smoothly and accurately, but sometimes needs clarification on certain notes. To help Georgia connect the names of the keys to the names of the notes on the page, please ask her to practice the song slowly and to name the notes out loud as she plays the keys. Practicing the song this way will also challenge Georgia to watch the sheet music as she plays instead of her hands. She also has worksheet on the page after “Waltz Time” that she is to fill out for class next week. The sheet asks her to assign a tempo marking to each line of music, add the missing bar lines to each phrase, and play all three lines. Georgia should reread the definitions of each tempo marking on the previous page to help inform her choices. We will review this next week.
Noreet:
This week we reviewed the rhythms in I Am the King. When practicing this song this week, please have her use a metronome to help clarify how the various rhythms fit into each beat. Encourage Noreet to review this song at a slow tempo so has time to hear and feel how the rhythms fit together. She can also record herself playing the song. When she is done, have her play the recording back and read along with the sheet music as she listens to confirm if all the rhythms sound correct. If she notices an error, circle it, and practice that section on its own before trying to play the whole song again. Noreet is also to continue practicing “Moonlight Melody” now that we have clarified where fingers start in the song. Please practice the first and third phrase hands together, and the right hand of the second phrase only. We will look at the left hand of the phrase as well as the end in class together next week.
Eva:
Today we reviewed the notes in the first phrase of “Young Tiger” and reviewed the definition of a tie, what it does, and where it is used in “Young Tiger”. Please encourage Eva to play this phrase for you at home and to count out loud as she does to help solidify her understanding of the rhythms in the phrase including the tie. Please also help her read the second phrase of the song. You can use the flashcards if Eva wishes. We will review this next week.
Benji:
This week Benji can continue to practice “Classic Dance”. Please help Benji by reminding him that this song is played in “C Position” where the thumb of his right hand and fifth finger of his left hand rest on C. He should review this song hands separately before attempting to play it hands together as there are some tricky fingerings at the end of the first and last phrase. When practicing hands together, please help Benji by reminding him that even though the notes in the right and left hand are different at the end of the first and last phrase, he used the same fingers on both hands to play them (4,3,2). Practicing this fingering will help Benji to play the two different phrases at the same time. He should also pay close attention to the dynamic markings he sees in the sheet music. Please encourage him to circle these.
Clara:
For this week Clara should continue to practice “Barefoot on the Beach”. In class we worked on brining the song up to speed. The tempo marking in this piece is 96-116 BPM. Encourage Clara to practice with a metronome this week to help increase her tempo slowly. Remember; this song is in cut time, which means metronome will be indicating the half note. Please encourage Clara to review the section we focused on in class before either adding onto the section or backtracking to the beginning. She should work on bringing the song up to tempo in sections to make this more manageable. Only when Clara has practice each section of the song and has been able to play these sections at her chosen tempo should she then attempt to play the whole song from start to finish. When she is ready, please encourage her to record herself playing at different tempos and to listen back to help her determine which tempo she likes playing at best, and which tempo she likes listening to best (these could be two different tempos). We also sight-read the A section of Andante in G minor from the RCM level 1 book. Here is a copy of Andante in G minor for Clara to review and read if she wishes.
Thank you everyone!
Looking forward to seeing you all next week!
Preferred Books for Katie’s Students
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Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.






