Christopher Hull is a percussionist and ethnomusicologist whose work focuses on tensions between tradition and innovation in contemporary music. As a passionate performer of solo, chamber, and orchestral percussion, he seeks to ground his work in his classical training while simultaneously transcending the conventions of the conservatory. With classical percussion degrees from Wilfrid Laurier University and University of Alaska Fairbanks, a performing arts certificate from the Arts Institute of Indonesia Denpasar, and his current studies in ethnomusicology at the University of Toronto, Christopher’s genre-defying work exhibits a world of experience.
As an orchestral percussionist, he frequently works with the National Academy Orchestra of Canada, the Hamilton and Thunder Bay Symphony Orchestras, and Sinfonia Ancaster. He has appeared as a chamber musician and soloist in festivals such as Open Ears, International Gamelan Festival Munich, Young Artists Niagara, and Sacred Rhythm Jakarta, and can be heard playing drums, vibraphone, and synthesizer on commercial recordings by Call Me Moon and Treephones. He is also Associate Artistic Director of Toronto-based Evergreen Club Contemporary Gamelan, commissioning and premiering new works for Sundanese degung, and director of the University of Toronto’s Balinese gamelan ensemble, Dharma Santi.
Get to know Chris…Beyond the Bio!
Hobbies: Reading, cycling, and synthesizers
Musical influences: Jojo Mayer, Benny Greb, David Garibaldi, Gary Burton, Tony Miceli, Steve Reich, Glenn Gould, Bill Evans, I Dewa Made
Favourite food: Noodles
Least favourite food: Quiche
Favourite music: R&B, hip-hop, funk; Western modernism and minimalism; Balinese gender wayang; Sundanese degung; Orchestral; beatsce Favourite song:!
Favourite movie: The Departed
Favouirite movie music: Old modern romantic soundtracks (eg. Spellbound)
Favourite musical theatre/opera: West Side Story/Turandot
Best quote from your teacher: “When we perform, we smile. If we make a mistake while performing, we smile bigger.” -Dewa Suparta
Favourite quote: “I’m a man who leaves nothing to chance.” -Maestro Boris Brott
Favourite book: Dance, Dance, Dance by Haruki Murakami
Best thing about teaching at ABC: The lovely students
Latest Homework from CHRIS
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Tuesday, Sept. 17th
Myles
Warmups:
–Flam Paradiddles (rL-R-L-L lR-L-R-R)
–8 on a Hand, goal tempo= 130bpm using a metronome (free app download, or purchase one at a music store)
Drumset Musician: 12/8 Exercises (in google drive Frequently Used folder)
–Learn the first 7 exercises
–You can count this either “1-2-3-4-5-6-…” or “1-trip-let 2-let”. Which one do you find easier?
John Mayer: Gravity
–Great!
–Now add in variations of your own creation based on the exercises from the worksheet above
Finn
Warmups:
–Single Strokes
–Double Strokes
–8 on a hand
–***Focus on keeping your grip and stroke technique: these exercises help you build good habits
Basic Beat level 1:
–Good! Careful not to squeeze the stick or crush the stroke. One contact per stroke, please!
**Now learn LEVEL 2:
1) Count “1 + 2 + 3 + 4 + ”
2) RH plays all counts on the Hihat
3) RF plays “1” and “3” on the Bass Drum
4) RH plays “2” and “4” on the Snare Drum
First Drum song!!! Queen: We Will Rock You
–Bass-Bass-Snare (both hands on the snare!)
Noah
Warmups:
–Triplet Exercise (1mm RH, 2mm LH) @ 95bpm
–Sixteenth-note Exercise 75bpm
Green Day: American Idiot–Everything up until the beginning of the 6th line on page two
–**Drill the two different beats (verse and chorus) separately AND back-to-back to help build the skill of switching between them
–You know that tom-beat fill now, but need to gradually build up the speed. Goal tempo: 160bpm this week
Francisco
Warmups (30sec/ea., find goal speed):
–8 on a hand (140bpm)
–Singles (sixteenths at 140bpm)
–doubles (16ths at 90)
–Paradiddles (16ths at 90)
Bon Jovi: Livin On a Prayer
–Add in the material up until the Pre-Chorus
–Careful with the first and second ending material in those repeats
***PLEASE BOOKMARK BOTH OF THE FOLLOWING LINKS. THIS IS WHERE I UPLOAD ALL OF YOUR LESSON MATERIAL**
https://drive.google.com/drive/folders/1LkxZI1V_rUM5aI9n8_kbQNa7MqJZrEGn?usp=drive_link
https://drive.google.com/drive/folders/1zCfqQhgIjuJLFP_JMHBmkjYwsV27CXON?usp=drive_link
Josh
ACDC: Back in Black, intro section (up until the singing starts)
–Begins with an eight-count
–Basic beat level 2
–Drum fill, playing along with the guitar riff (sing it to play it!)
–Listen carefully for when the drum fill STARTS: listen along and clap your hands/sticks along with it
–The crash IS the first note of the beat. Make sure not to add any beats in!
Saturday, November 23rd
Jack
Benny Greb Rhythmic Alphabet
–Spelling “JACK” and “DYLAN”
Using these words, play along to Sum 41: In too Deep
Tragically Hip: 50 Mission Cap
–Learning the beat (Bass-Snare-Bass-Snare) and playing along with the song while I play piano
Xylophone
–Learning the musical alphabet (ABCDEFG)
–Visually identifying C on the keyboard
–Spelling “Dad” and “Egg” on the keyboard
Koel
Warmups (1min each):
–Triplet Ex. 125bpm
–Ride pattern exercise with sixteenth exercise on the cymbal (goal tempo 90)
Van Halen: Jump up until Guitar Solo
–Drill the second Pre-Chorus section. The only parts that are tricky for you are first two measures and the last three measures. Drill each of these on their own, and then the Pre-Chorus passage before each run through
–Next week let’s do some Tommy Igoe
Aleksander
Warmups (30 sec each) goal tempo 160bpm:
–Single strokes (R L R L…)
–Double Strokes (R R L L….)
–Paradiddles (RLRR LRLL…)
–RLLR LRRL
Drumset Musician p14 ex. 4-6
ACDC: Back in Black–everything up until 2:49
–Bridge section: use the worksheet to practice this beat
–Once comfortable, listen to this recording and try playing along to this section
Tracie
Stone Temple Pilots: Plush
–Main beat: good work! You’ve pretty much got it up to speed. This week, drill this beat so that it becomes second nature
–Next week, we’ll get into learning various parts of the song
Jonah
Hannaford Frozen Theme music
–Practice Eb Major Scale (Eb-F-G-Ab-Bb-C-D-Eb) and arpeggios
–Opening section uses LRRLRRLR sticking
–Practice the notes on your keyboard at home, using your index fingers like mallets
Jared
Warmups:
–Stick Control ex 14-23 (70bpm)
—-Play each exercise 4 times
Bruno Mars: Locked Out of Heaven
–You’ve pretty much got this song finished! Only thing left to master is the half-time beat on the last page, and…
–Drill all blue-circled bits. They just need a little finessing
Mario
Warmups (1min/ea; slow, med, fast speeds)
–8 on a hand
–Single Stroke Roll (R L R L…)
–Double Stroke Roll (R R L L…)
White Stripes: Seven Nation Army COMPLETE
–Keep the pace up: you’re doing everything really well, you just need to trust yourself!
Drumset Musician p11, ex. 1-4*
–We didn’t work on this this week, but review it so that we can move on to the next exercises next time
Mateo
Warmups (30 sec each):
–8 on a Hand
–Single Stroke Roll (RLRL…)
–Double Stroke Roll (RRLL…)
**Think more skin on the stick (but not squeezing)
**Let the stick bounce off the drum
Drumset Musician p11 ex. 5-6 b)
–don’t crush your strokes! It’s as if you’re touching a hot pan–pick your hands back up quickly
–Go slow, and count
–Aim for four times through each exercise
First song!!! White Stripes: Seven Nation Army
–Today, we worked our way through the WHOLE SONG! This week, listen and play along to the song, either playing on your knees with your hands or on some pillows. Pay close attention to playing the right instruments during the right portions of the song.
Josh
Post Malone: I Had Some Help
–Good work on this!
–To help get that main beat coordinated at performance speed, isolate the “2 + 3” portion of it, making sure to line up the bass drums with the hihats. When isolated, you do a great job of this at high speeds. Can you bring the same coordination to the main beat overall?
–The pre-chorus fill (flam-bass…) is great! Make sure to play it four times, not three
Soca
–Cool new beat! Wahoo
–Next week I’ll bring some music we can practice our Soca along to
Preferred Books for TCHRNAME Students
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