Christopher Hull is a percussionist and ethnomusicologist whose work focuses on tensions between tradition and innovation in contemporary music. As a passionate performer of solo, chamber, and orchestral percussion, he seeks to ground his work in his classical training while simultaneously transcending the conventions of the conservatory. With classical percussion degrees from Wilfrid Laurier University and University of Alaska Fairbanks, a performing arts certificate from the Arts Institute of Indonesia Denpasar, and his current studies in ethnomusicology at the University of Toronto, Christopher’s genre-defying work exhibits a world of experience.
As an orchestral percussionist, he frequently works with the National Academy Orchestra of Canada, the Hamilton and Thunder Bay Symphony Orchestras, and Sinfonia Ancaster. He has appeared as a chamber musician and soloist in festivals such as Open Ears, International Gamelan Festival Munich, Young Artists Niagara, and Sacred Rhythm Jakarta, and can be heard playing drums, vibraphone, and synthesizer on commercial recordings by Call Me Moon and Treephones. He is also Associate Artistic Director of Toronto-based Evergreen Club Contemporary Gamelan, commissioning and premiering new works for Sundanese degung, and director of the University of Toronto’s Balinese gamelan ensemble, Dharma Santi.
Get to know Chris…Beyond the Bio!
Hobbies: Reading, cycling, and synthesizers
Musical influences: Jojo Mayer, Benny Greb, David Garibaldi, Gary Burton, Tony Miceli, Steve Reich, Glenn Gould, Bill Evans, I Dewa Made
Favourite food: Noodles
Least favourite food: Quiche
Favourite music: R&B, hip-hop, funk; Western modernism and minimalism; Balinese gender wayang; Sundanese degung; Orchestral; beatsce Favourite song:!
Favourite movie: The Departed
Favouirite movie music: Old modern romantic soundtracks (eg. Spellbound)
Favourite musical theatre/opera: West Side Story/Turandot
Best quote from your teacher: “When we perform, we smile. If we make a mistake while performing, we smile bigger.” -Dewa Suparta
Favourite quote: “I’m a man who leaves nothing to chance.” -Maestro Boris Brott
Favourite book: Dance, Dance, Dance by Haruki Murakami
Best thing about teaching at ABC: The lovely students
Latest Homework from CHRIS
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Tuesday, September 10th–Welcome back!!!
Myles
Goals for this year:
–Xylophone and Reading
–Learn 5 songs this year
Warmups:
–Flam Paradiddles (rL-R-L-L lR-L-R-R)
–8 on a Hand, goal tempo= 130bpm using a metronome (free app download, or purchase one at a music store)
John Mayer: Gravity
–Please learn this by ear this week (it’s brand new, but very simple)
–Can you identify how to count this song?
Finn
Finn – 7yo – pno, drums, ukulele, dancing – pizza
Basics of Grip (V-shape, dribbling the basket ball, backs of hands facing up)
Warmups:
–Single Strokes
–Double Strokes
–8 on a Hand
Basic Beat Level 1
Step 1) Count “1 2 3 4”
Step 2) Play the Hihat with your Right Hand (RH) on all the counts
Step 3) Add in the Bass Drum with your Right Foot (RF) on “1” and “3”
Step 4) Add in the Snare Drum with your Left Hand (LH) on “2” and “4”
Required Materials:
–Sticks (5A is pretty standard; 7A (a little shorter and a little lighter) might fit Finn’s smaller hands, but go with what’s comfortable)
–Metronome
–Notebook, binder, etc for handouts and notes
Recommended Materials:
–Hearing protection
–Practice
–Method Books
Francisco
Skip warmups for Today
Bon Jovi: Livin On a Prayer (find the sheet music in your student folder)
–Intro Fill (3e+a 4 + )
–Main groove: like a basic beat, with an extra bass drum on the “and” of 4 every other measure’
–Working on the fill before Verse 1
Warmups (30sec/ea., find goal speed):
–8 on a hand (140bpm)
–Singles (sixteenths at 140bpm)
–doubles (16ths at 90*)
–Paradiddles (16ths at 90*)
Drumset Musician p13 ex 20-23
Noah
Goals for this year:
–Rock band program
–Finish Green Day: American Idiot
–Xylophone
Green Day: American Idiot–focusing on notes, not tempo
–Everything up until the beginning of the 6th line on page two (stopping at the beginning of that cool tom fill)
–remember alternating hihats/floor toms before the bass drum segments in the verse
–Careful to distinguish the similar but different bass drum parts in the Chorus
Reminder: Thomas Li subbing Saturday, Nov. 16th
Dearest Saturday drum students,
I mentioned this to as many of you as I could this past weekend, but I just wanted to make sure you are all aware that I’ll be away this coming Saturday, Nov. 16th, at the Percussive Arts Society International Convention in Indianapolis. My colleague Thomas Li will be filling in for me, and lessons will proceed as usual.
Thanks! All the best,
Chris
Preferred Books for TCHRNAME Students
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