Guitarist Gergely Szabo has an Advanced Diploma in Music Performance from Cambrian College where he majored in the classical guitar. Over his time there, he completed 2 years of comprehensive pedagogy courses. He also gained well grounded vocal skills, as well as basic knowledge on the piano. Outside of classical music, he exhibits a repertoire of skills and knowledge in playing the genres of rock, blues, and heavy metal music. He has experience in teaching the guitar and the ukulele to a range of people aged 6 to 54.
Gergely’s teaching methods include both the use of books and digital methods. The three main books he uses to teach guitar are as follows: “Guitar Method Book 1 by Will Schmid and Greg Koch,” “Four Star Sight Reading and Ear Tests RCM Level 1,” and “Classical Guitar Repertoire and Etudes RCM Level 1.” For teaching ukulele, he uses the book “Ukulele Songs for 1, 2, or 3 players by Elizabeth Ragsdale.” Aside from these, he frequently uses the Muse Score application as a play-along practicing tool.
Gergely’s passion for music and his dedication to growing the love of music in others are the biggest reasons why he teaches guitar and ukulele. His approach to teaching involves learning through play. The material he covers with his students is always delivered in a way that is highly interactive. Most of the assigned exercises he gives involve the elements of play that students can enjoy both in class and as homework.
Get to know Gergely…Beyond the Bio!
Coming soon!
Hobbies:
Musical influences:
Favourite food:
Least favourite food:
Favourite music:
Favourite album:
Favourite movie:
Favourite musical theatre/opera:
Best quote from your teacher:
Favourite quote:
Favourite book:
Latest Homework from Gergely
Is Gergely Your Teacher?
Sign up now to get your weekly assignments delivered, and never lose your homework sheet again!
Saturday, October 26th
Jack
Tragically Hip: 50 Mission Cap
–Playing sticking exercises along with the beat of this song!
Benny Greb Rhythmic Alphabet (find sheet in the Google Drive>Frequently Used Resources)
–Learn each letter in the “binary” part of the alphabet (counting 1-2-3-4)
–try building small words!
Xylophone
–Learning the musical alphabet (ABCDEFG)
–Visually identifying C on the keyboard
–Spelling “Dad” and “Egg” on the keyboard
Nova
Warmups:
–Stick Control first 13 exercises (trying for 50bpm goal tempo)
Remi Wolf: Photo ID
–Finishing this song off
–Work on adding the Chorus fill (on handout) into the second chorus
XYLOPHONE NEXT WEEK :)
–C Major Scale and Arpeggio (C-E-G-c-G-E-C)
–Piano Adventures p 46-47 (counting in 3)
Cirone Book: “Step 6” (pdf in Nova’s personal gdrive folder)
–Review note reading using the Step 6 melodic exercises
–If you need help or a reminder about which notes are which, look back at lesson 5 (Amw PDF)
–Be careful to follow the correct stickings and rhythms!
–Try to build the habit of visually identifying the notes (looking at the page)
–Sing the note names as you play them
Koel
Warmups (1min each):
–Triplet Ex. 125bpm
–Ride pattern exercise with sixteenth exercise on the cymbal (goal tempo 90)
Van Halen: Jump (scan of chart in your personal folder)
–Pre-chorus: add in final fill
–**Now, work on everything up until the Guitar Solo on p. 4
Jared
Warmups:
–Stick Control ex 1-13 goal tempo: 80bpm***
—-Play each exercise ***4 times***
Bruno Mars: Uptown Funk
–done. Awesome!
***Bruno Mar: Locked Out of Heaven
–Drill the main beat to really get it solid. Careful with the bass drum placement
–Drilling the tom-groove at the end of the Chorus section
Mario
Warmups (1min/ea; slow, med, fast speeds)
–8 on a hand
–Single Stroke Roll (R L R L…)
–Double Stroke Roll (R R L L…)
Basic Beat Level 2***
Step 1) Count “1 + 2 + 3 + 4 +”
Step 2) Play the Hihat with your right hand (RH) on all counts (playing eighth notes now, as opposed to the quarters of Level 1
Step 3) Add in the bass drum with your right foot (RF) on “1” and “3”
Step 4) Add in the snare drum with your LH on “2” and “4”
–The goal is to get through this with all instruments four times uninterrupted
Also, focus on making sure the notes line up precisely.
New Song!! White Stripes: Seven Nation Army
–everything up until ca. 1:00, playing along by rote
–Bass drums on the beats, snares on the “backbeats”
Aleksander
Warmups (30 sec each) at three speeds (slow/med/fast):
–Single strokes (R L R L…)
–Double Strokes (R R L L….)
–Paradiddles (RLRR LRLL…)
–Basic Beat level 3.5
—-Make sure that when two instruments play together they land precisely at the same time
Learning Drumset Notation: Drumset Musician book
–Counting aloud; play each exercise four times without interruption
–Practice exercises 1-7 on p11 of the Drumset musician book (find PDF below)
–top line is hihat middle space is snare drum, bottom space is bass drum
ACDC: Back in Black–everything up until 2:49
–Nice job
–Add in the fourth “line” of the Guitar solo (a bunch of extra crashes!)
–Follow along, playing the Chorus section that happens after the guitar solo. Listen to what happens after that!
Assignments for week of October 24, 2024
Hello everyone! Great lessons this week. Your lesson notes are as follows:
Eva
What we learned/reviewed in lesson:
- Reviewing hands and finger numbers, played through Walking Song and the I Like Song!
- Great composting! It was so enjoyable to listen to “The Song That Never Ends”
- Reviewed quarter notes (one beat), half notes (two beats), and whole notes (four beats)
- Anchor points on the piano (finding D, C, and F on the keyboard)
Recommended minutes to practice: 10-15 minutes, 4 to 5 days a week
What to practice:
- I Hear the Echo, Old MacDonald Had a Song,
- Play through new Finger Exercises page
- Try with just Right hand, then Left hand
- Try with different dynamics! Could you play through the exercises at a soft dynamic? What about a loud dynamic?
- Try solving some of the Counting Exercises attached
- Feel free to do more composing alongside practice
How to practice efficiently:
- Saying finger numbers out loud, practice on flat surface, playing one hand at a time
- Double check our finger numbers! Are the fingers that are playing matching the numbers on the sheet music?
How can caregivers support practice:
- Balance “vegetable practice” (reading sheet music, practicing rhythms/dynamics/note reading, knowing our finger numbers, and developing overall coordination at the keyboard) and “dessert practice” (playing just for fun, writing and composing own songs, exploring different sounds at the keyboard)
- As amazing as it would be to only eat sweets/desserts, we have to remember to eat our vegetables as well! This will help us build well-rounded piano skills that involve both technical proficiency and creative play
- Do not feel pressured to have all the exercises completed/perfected by the next lesson, fine motor skills will come with time and practice. Integrate them gradually, and keep an eye out for alignment and hand position at the keyboard (Is she sitting comfortably at the keyboard? Are the hands in a relaxed “c” shape? Are the wrists supported? Ie: not drooping below the keyboard)
Chris
What we learned/reviewed in lesson:
- Played through 19, 20-21
- Talked through the concept of “seconds” (as well as thirds, fourths, fifths, sixths, sevenths, and octaves)
- Focused on how to break down a piece and utilizing a pen/pencil to make notes in sheet music
- Creating shape within a piece by using dynamic contrasts; there is no standardized “piano” or “forte” dynamic level, it’s all contextual/relational
Recommended time to practice:
- 20-30 minutes 4 or 5 days of the week
What to practice:
- Page 22 – Roman Trumpets.
- Continue working on fluidity of the piece (can you play it start to finish with a steady pulse?) We can add the teacher duet in our next lesson
- Pg. 25-26
- As a technical exercise: practice playing stacked notes/chords with both hands. Use this as an opportunity to play boldly using larger muscle groups (arms/back support)
How to practice efficiently:
- Spend time at the keyboard for physical practice but also spend time mentally practicing as well. Things that can be reviewed away at the keyboard are note names on treble/bass clef, note values (quarter notes in relation to half notes, half notes in relation to whole notes), posture while seated, finger patterns on a flat surface
- Continue to question yourself as you practice; check in with your posture and hand positions — are wrists the wrists being supported? Do I feel any tension while I play?
- Specific things to watch out for:
- The pinky finger — is it floating away? Are we keeping it grounded on the keyboard?
- Tucking our “wings” (elbows) in — they do not have to be glued to the sides of our body, but we should also make sure that they aren’t sticking out and disrupting the alignment of our hand/wrist.
- Specific things to watch out for:
- For pieces: Isolating right and left hand lines and trying different ways approach what you are reading (clapping, saying/singing finger numbers, saying/singing note names)
Greta
What we learned/reviewed in lesson:
- Scales and triads
- Approaching technique with more variety (we do not need to practice it in the same way every single time)
Recommended time to practice:
- 20-30 minutes a day, 4 days a week
What to practice:
- G major scale, 2 octaves, hands together
- G major solid triads, 2 octaves, hands together
- D minor Natural scale 2 octaves, hands together
- If you’re feeling extra bold, you can try playing through the minor Harmonic scale (raised 7th, C# in this case)
- D minor solid triads, 2 octaves, hands together
- Practice playing through the left hand of Amber Moon in time (counting all the beats in each measure), begin learning and adding in the right hand melody
How to practice efficiently:
- Focus more on playing technique hands together, this will be the goal of our technique practice
- If there’s only time to practice technique, practice it in varied ways (almost as if you were practicing a piece of repertoire):
- Play technique at different dynamics: piano (softly), forte (loudly), crescendo going up the scale, diminuendo on the way down
- Play with different articulation: staccato, accented
- Play with different rhythms: swing, dotted, triplets
- Listen through Amber Moon. A recording can help establish the melody/harmony in your ear — but be mindful not to directly imitate the recording, use it as a tool that can help you with phrasing ideas, tempo, and rhythm.
Amber Moon URL: https://youtu.be/CPn7mXHqASw?si=nkHA5JLjAiE6l8VJ
- If link does not work, you can copy and paste it into a browser
Have a great week everyone! Happy practicing
Preferred Books for Gergely’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Hal Leonard Guitar Method
The second edition of this world-famous method by Will Schmid and Greg Koch is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. Book 1 provides beginning instruction including tuning, 1st position melody playing, C, G, G7, D7, and Em chords, rhythms through eighth notes, solos and ensembles and strumming.


