Guitarist Gergely Szabo has an Advanced Diploma in Music Performance from Cambrian College where he majored in the classical guitar. Over his time there, he completed 2 years of comprehensive pedagogy courses. He also gained well grounded vocal skills, as well as basic knowledge on the piano. Outside of classical music, he exhibits a repertoire of skills and knowledge in playing the genres of rock, blues, and heavy metal music. He has experience in teaching the guitar and the ukulele to a range of people aged 6 to 54.
Gergely’s teaching methods include both the use of books and digital methods. The three main books he uses to teach guitar are as follows: “Guitar Method Book 1 by Will Schmid and Greg Koch,” “Four Star Sight Reading and Ear Tests RCM Level 1,” and “Classical Guitar Repertoire and Etudes RCM Level 1.” For teaching ukulele, he uses the book “Ukulele Songs for 1, 2, or 3 players by Elizabeth Ragsdale.” Aside from these, he frequently uses the Muse Score application as a play-along practicing tool.
Gergely’s passion for music and his dedication to growing the love of music in others are the biggest reasons why he teaches guitar and ukulele. His approach to teaching involves learning through play. The material he covers with his students is always delivered in a way that is highly interactive. Most of the assigned exercises he gives involve the elements of play that students can enjoy both in class and as homework.
Get to know Gergely…Beyond the Bio!
Coming soon!
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Latest Homework from Gergely
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Assignments for the week of September 4th, 2024
Hello everyone, it was great to meet you all and get started this week! Here are the notes from this week’s introductory lessons, I am looking forward to jumping into work next week.
-Trevor F.
Sara:
Review technical exercises (scales/triads) in your favourite key from June’s exam so we can jump into something new next week.
Continue working through “The Entertainer”, only allowing yourself to fully play it through once or twice before next week’s lesson; instead practice by breaking it apart into smaller chunks and focus on identifying and trying to solve problems (remember, you can’t eat a whole pizza in one bite!). Supporting the fingers by thinking about the arm and checking in to see if you are relaxed (for example, opening the hand from the wrists instead of at the fingers for octaves and chords to stay relaxed in the arm).
Start new piece in RCM book, “Pierrot and Pierrette” – working independently to see how much you are able to learn/get together in one week. Remember to break things into manageable chunks before trying to run anything this week! (looking for patterns, hands separate practice, considering how each hand might help or trip up the opposite hand when together, noting “tricky spots” and focusing on them)
Clara:
Focusing on hands separate 5 finger patterns at and away from the keyboard. Begin by having a parent/guardian demonstrate the pattern while speaking aloud and tapping fingers, then having her copy. If comfortable with this, moving on to have her read and attempt the patterns without demonstration or assistance. Tapping noted patterns and saying finger numbers out loud – can be done on the lap, on a closed keyboard lid/table, and then eventually moving to 5 finger positions starting on C and G. When comfortable saying finger numbers and playing on keyboard, begin saying lettered note names aloud while playing the same patterns in C and G 5 finger positions. Feel free to make up other patterns beyond those listed in the separate document!
Hakim:
Review/continue working on “Creator” so we can get started on it together next week.
Begin work on “Distant Chimes”. Before playing anything, have a look through the entire piece and look for patterns, hand positions changing, watch for any sharps or flats, and overall try to imagine how things will sound.
If you are struggling to figure things out and need to listen to the piece for guidance, a good recording is as follows: https://www.youtube.com/watch?v=epEo07esc8I
Liam:
Technique exercises – bring back scales in C, G, and D major 1 octave hands separately. Blocking out groups of fingerings and hand positions as solid chords like we tried together in lesson (for example: CDE-123, FGABC-12345).
Review an older piece from your exam pieces that you enjoy and be prepared to play through it next week. Think about any challenges you might have had while learning this piece, as well as something about it that you particularly enjoy!
New Piece: Sonatina in A minor (movement 1) from RCM grade 3 book. Work through as much of this piece as you can this week (hands separate or hands together, however much you are able to get together is fine), observing patterns and things you recognize, watching for “tricky parts” and focusing in on them, thinking about how our hands work together or may confuse the opposite hand.
FarPlay Update available – please install!
Hello Everybody!
We are an unbelievable 1 week away from starting the new school year!
You’ll likely see an uptick in messages from us during this time, but for the moment please take the time to install the latest update to FarPlay so that when you need to have a digital lesson you have the most recent version ready to go.
In addition, this is a good time to check your equipment and connection. This works best with wired headphones and a wired ethernet connection.
We are super excited and look forward to seeing you in a few short days!
-Barnaby & the ABC Team
Preferred Books for Gergely’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Hal Leonard Guitar Method
The second edition of this world-famous method by Will Schmid and Greg Koch is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. Book 1 provides beginning instruction including tuning, 1st position melody playing, C, G, G7, D7, and Em chords, rhythms through eighth notes, solos and ensembles and strumming.


