Guitarist Gergely Szabo has an Advanced Diploma in Music Performance from Cambrian College where he majored in the classical guitar. Over his time there, he completed 2 years of comprehensive pedagogy courses. He also gained well grounded vocal skills, as well as basic knowledge on the piano. Outside of classical music, he exhibits a repertoire of skills and knowledge in playing the genres of rock, blues, and heavy metal music. He has experience in teaching the guitar and the ukulele to a range of people aged 6 to 54.
Gergely’s teaching methods include both the use of books and digital methods. The three main books he uses to teach guitar are as follows: “Guitar Method Book 1 by Will Schmid and Greg Koch,” “Four Star Sight Reading and Ear Tests RCM Level 1,” and “Classical Guitar Repertoire and Etudes RCM Level 1.” For teaching ukulele, he uses the book “Ukulele Songs for 1, 2, or 3 players by Elizabeth Ragsdale.” Aside from these, he frequently uses the Muse Score application as a play-along practicing tool.
Gergely’s passion for music and his dedication to growing the love of music in others are the biggest reasons why he teaches guitar and ukulele. His approach to teaching involves learning through play. The material he covers with his students is always delivered in a way that is highly interactive. Most of the assigned exercises he gives involve the elements of play that students can enjoy both in class and as homework.
Get to know Gergely…Beyond the Bio!
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Latest Homework from Gergely
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Efe October 4th
Hi Efe and family! Here is the material to work on for this week.
Aim to do this practice routine once a day leading up to our next lesson. I’ve written out ideally how long Efe should practice these items in a day. If practicing in these time-lengths is not possible, then do as much as is possible in a day.
- Play everything here with a metronome. Tempos are listed for each item.
- Practice both standing and sitting. Maintain proper posture as we discussed in class. For classical positioning, have the guitar head high up. For casual positioning, have the guitar head far forward. Remember, we’re always aiming to make both wrists fairly straight.
- Please get the Guitar Method 1 book this week. The Amazon link is attached. The videos of the scales we covered today are accessible in the homework post from 2 weeks ago.
- Practice the following pieces from the Guitar Method 1 book:
Alternate pick the following pieces (picking Down-Up-Down-Up):
- Page 8 #11. 55BPM. One quarter note per beat. — 5 minutes.
- Page 9 #12, #13, and #14. 55BPM. One quarter note per beat. — Make sure to read the paragraph at piece 14. — 10 minutes altogether.
- I want Efe to start getting into the habit of alternate picking things. This will be done in countless other guitar playing he will come across.
Down pick the following piece (only pick down):
- Page 9 #15. 55BPM. One quarter note per beat. 5 minutes.
- C major scale. 45BPM. One quarter note per beat. — 10 minutes.
- A minor pentatonic scale. 45BPM. One quarter note per beat. — 10 minutes.
- Chords. Keep playing all the chords we have covered so far. Just play them freely, to a tempo no faster than 60BPM. — 5 minutes.
You can do this, Efe. It will only get easier with time. See you in a week!
Assignments from October 2nd
Hello Everyone!
Happy October! Thank you for the great first month of the school year!
Georgia:
This week we discussed how Georgia should approach practicing at home. While she is encouraged to play the whole song from start to finish when she begins her practice for the day, she should be keeping an eye out for any spots that need extra attention. Georgia should isolate and review these areas on their own without playing the song to ensure she can focus on improving just those spots. At home this week, Georgia should review The Clown. Please help Georgia by reminding her that the song starts in her left hand. Encourage Georgia to play the first two lines hands together. She can then practice the last two lines hands separate. She will need to sight-read the right hand of the last two lines on her own. Please help her by reminding her that the starting note of the third line is a B. She can figure our the rest of the notes on her own. Remember, Georgia should resist the urge to write in the notes to help challenge her memory and sight-reading skills.
Noreet:
Today we reviewed more of Ode to Joy! At home Noreet can continue to practice the first 3 lines hands together. Challenge her by asking her to play the following 3 phrases hands together this week. (6 lines hands together total). Please help her by reminding her that the 5th phrase is to be played a whole octave higher! We also reviewed intervals today and identified parts in the song where Noreet has to play a large interval (big jump between notes). She can continue to analyze intervals between any notes she is less confident in. Finally, we reviewed the pattern of the song, specifically difference between the ends of each phrase and listened to parts of Ode to Joy played by a symphony!
Eva:
Today we reviewed Classic Dance. When practicing at home, help Eva get started by asking her to show you C Position on the keyboard (both her 5th finger of her left hand and thumb of her right hand should be on C, one octave apart). Please encourage Eva to play the second phrase as well. We read the notes together in class using the flashcard game. She can review the notes with the flashcard game as well as with the fill in the blank colouring sheet for Classic Dance. We will correct this next week. If Eva is feeling really confident, once she has played the second phrase, you can tell her the third phrase is identical to the first phrase. So she already knows how to play it! We will look at both the second and the third phrase together next week.
Benji:
Today we reviewed Little River and started Sailing in the Sun! We didn’t play any of the notes today, we just read them. Encourage Benji to play the notes at home by taking turns at the piano. The first note of the song is middle C, from here Benji can figure out the rest of the notes in the song. If he gets stuck, ask him if the next note is higher or lower than the previous note. This song alternates hands within the same bar. The right hand starts then the left hand takes over. Please remind Benji of this at home, and clarify this by reminding him that all notes in the staff with the treble clef (the tall swirly clef) are played in the right hand, and all notes written on the staff with the bass clef (the backwards C clef) are played in the left hand. Finally, to help Benji with his sight-reading I’ve sent home a new fill in the blank work sheet! Under each note in each bar Benji needs to write in the letter name for that note.
Clara:
Today we reviewed Criss Cross. To help Clara visualize the contour of the line (the overall direction) we wrote out the whole song in the treble clef. This helps Clara see how close each note is even though they are played in different hands, and helps her see when her left hand finishes a phrase her left hand started. She is not to practice with this sheet. This worksheet was a visual exercise only. When playing the song, Clara is to continue practicing Criss Cross from the RCM book to ensure she plays each note with the correct hand. Clara also learned how to draw a treble clef! Finally, we tried more sight-reading this week with Bumper Cars. Clara was given 5 minutes to look at the whole piece before being asked to play it as best as she could given what she saw. We will continue this sight-reading exercise when starting new pieces. Clara can start to practice Bumper Cars at home. We will review this next week.
Thank you everyone!
Looking forward to seeing everyone’s progress in October!
Preferred Books for Gergely’s Students
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Hal Leonard Guitar Method
The second edition of this world-famous method by Will Schmid and Greg Koch is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. Book 1 provides beginning instruction including tuning, 1st position melody playing, C, G, G7, D7, and Em chords, rhythms through eighth notes, solos and ensembles and strumming.


