Eliana

Eliana should practice 4-5 times per week for 30-45 mins per session.

Marches Militaires

  • Review

Fur Elise

  • Focus on B and C section
  • Start practicing with musical phrasing with a little bit of ‘rubato’

Song of the Cavalry

  • Articulation and voicing in middle section

Anastasiya

Anastasiya should practice 4-5 times per week for 15-20 mins per session.

Song of the Scarecrow

  • Work on this piece hands together with fluency – play the melody line smoothly, and play the chords softer

Theory Book

  • Make sure we bring this book to every lesson!

Vivienne

Vivienne should practice 4-5 times per week for 15-20 mins per session.

Maple Leaf Rag

  • Fluency on the 2nd page!

Betty Ragtime

  • Work on the R.H. part alone up to the repeat sign.
  • Try to play the first 4 bars hands together!

Chantal

Chantal should practice 4-5 times per week at 15 – 20 mins per session

A Dozen A day

  • New exercises, with steadiness and repeat.

Bubble

  • Start learning this piece 1 small section at a time! – up to the first marked spot, hands together

O Canada

  • Review the R.H. melody, and start putting hands together for the first 2 lines.

Alyssa

Alyssa should practice 4-5 times per week at 30 mins – 1 hr per session.

Technique

  • Use the correct fingering, play with accuracy, and clarity on everything with the metronome

You and I

  • Accuracy and fluency of notes, and try to voice the top note of all chords

In Church

  • Focus on the 2nd half of the piece, with the suggested and written fingerings on all chords, played legato – work on few bars at a time

Maria

Stand by Me

  • Keep practicing hands together, and be mindful of the L.H. rhythm (1)+ 2(+) 3+ (4)(+) – play on the bracketed beat

Claire

Claire should practice 4-5 times per week at 15 – 30 mins per session.

Canon

  • Keep working on the last page hands together
  • Start voicing the notes with ‘tenuto’ markings
  • Pedal – try to be more accurate with all the pedal markings

David

Falling in Love

  • Try to analyze piece in terms of musical phrasing – mark with phrasing slurs

Serenade / Turkish March

  • Work on fluency at a steady tempo with rhythm evenness
  • When playing, always think about the characteristics the piece brings, and all the articulation and phrasing works!



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