B.Mus (Humber) in-progress
Adina is a singer-songwriter based in Toronto completing her Bachelor of Music degree at Humber College in vocal performance. Trained classically in piano since the age of 5, she has branched out into pop and jazz as well.
Vocally she is well-versed in many genres including jazz (she loves to scat!), musical theatre, pop, singer-songwriter, country, R&B, and acappella. She has 7 years of choir experience in both chamber and jazz styles. Adina has been writing and singing original songs since the age of 12, and has two singles as well as an EP out on all platforms under the artist name Adina V.
She has performed all across southern Ontario singing with the Toronto All-Star Big Band, as well as at various venues in the GTA with her own jazz duos and trios. As a member of the Cawthra Park Chamber Choir she performed at Roy Thompson Hall with the TSO for two years in a row. At Humber College she is part of the Vocal Jazz Ensemble led by Lisa Martinelli; this group performs advanced repertoire at events like the Ontario Vocal Jazz Festival.
Adina has been teaching music for the past 7 years and loves helping students meet their personal goals while fostering a love of music that lasts forever!
Get to know Adina…Beyond the Bio!
Hobbies: reading, puzzles, video games, painting
Musical Influences: Ella Fitzgerald, Nancy Wilson, Doris Day, Joni Mitchell, Taylor Swift, John Mayer
Favourite Food: Pad Thai
Least favourite food: eggplant
Favourite music: Indie rock and folk
Favourite song: All I Need by Jacob Collier ft. Mahalia & Ty Dolla $ign
Favourite movie: Matilda
Favourite movie music: The Pirates of the Caribbean theme
Favourite Musical: Dear Evan Hansen or The Last Five Years
Best Quote from your teacher: “It’s an amazing and wonderful experience to be able to be intentional about, in the moment, making music”
Favourite Quote: “Even as we are, we are becoming”
Favourite Book: The Girl With the Dragon Tattoo trilogy – Stieg Larsson
Best thing about teaching at ABC: Sharing and fostering a love of music with students of all ages
Latest Homework from Adina
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Wednesday, January 27, 2021
Hi everyone, here is what we worked on this week and your assigned practicing:
Dvorah
We will keep the G position warm up one hand at a time, and even though I know it’s tricky please try to connect between the fingers. If your fingers are bent this becomes easier.
We moved on to I Hear the Echo in your new book – this song introduced dynamics, which tell us how loud or soft we should play – f stands for “forte” and means play LOUD, and p stands for “piano” which means play SOFT. Please pay attention to LH’s finger numbers – 2 is your pointer and 4 is your ring finger. It is important to still be holding those half notes (the empty ones with the stem) for “1-2”.
On the next page right after I Hear the Echo, we circled a line which has the three types of notes we’ve learned so far: quarter notes (the filled-in ones) get 1 count, half notes get 2 counts, and whole notes (the oval ones) get 4 counts. Pick any note and play through this line, saying your counts as you hold the notes for their correct value.
Marco
This week please complete pages 32 and 33 from your theory book. In our lesson we talked about the sayings for the treble clef lines (Every Good Boy Deserves Fudge), but also the spaces (FACE in the space).
Rodeo – Let’s try speeding this one up as much as you can! Every time you play try going a little bit faster. It will help if you don’t sing and play when going really fast – instead just do the counting in your head.
Russian Sailor Dance – Since this is a new song, please first say/sing the counts while you play; you can add lyrics later once the notes and rhythms are more comfortable. Notice the repeated patterns: bars 1-3 and 4-6 are the same, and bars 7-9 and 10-12 are the same. This song is also marked “quickly”, so once you feel confident you can also start speeding it up.
Oliver
You have almost memorized all your sayings! It’s very helpful to use them as you read your piece. If you are ever unsure of which hand is right hand and which hand is left hand, remember the left hand plays lower on the piano, and if you hold it up there will be an “L” in the correct direction (RH’s “L” is backwards). LH also plays on the lower of the two staves, in the bass clef.
For Oom-Pah-Pah, please continue playing the LH melody by itself for the whole piece, so that it can get more comfortable before we try adding RH. An important thing to notice is when we have a bar of all steps in one direction – bar 7, 11, and 15 are examples of this – the notes are always going line-space-line-space in order. Once notes are more comfortable try adding those staccatos!
Alice
Today in our lesson we talked about memorizing where a new note, F, is on the keyboard. We know C is in front of the group of 2 black keys, and similarly F is in front of the group of 3 black keys. Try finding all the Fs on your piano. Then, from there see if you can find G position (remember, when we are in a position it means the lowest finger in each hand is on that letter name). For the warmup please play your 5 note scale in G position, hands together.
March on D-E-F – This is a review song for this week. Since notes and rhythms are quite solid we added a new element called dynamics. These tell you how loud or soft to play. f stands for “forte” and means play LOUD, and p stands for “piano” which means play SOFT.
Mister Bluebird – For the most part the stepping pattern in this piece is what you expect, but there are a few notes that might trick you! Read carefully and use those checkmarks you wrote in to guide you. Also, please say the letters you are on as you play the piece.
Stitches – This week stick to just singing the first verse, prechorus, and chorus. We talked about giving ourselves the starting note of each new section: you must find a group of 3 black keys above middle C, and one below middle C. Then we play the top note of the group of 3 just before and also during our first singing note. For the verse, play your higher note, and for the prechorus play your lower note.
We decided to do Kill Em With Kindness as your review singing piece for next week.
Preferred Books for Adina’s Students
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Alfred's Basic Piano Library Lesson Book 1A
This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book Level 1A begins by teaching basic keyboard topography and fluent recognition of white key names in relation to black keys. It focuses on simple rhythms and prepares students for intervallic reading with entertaining songs that focus on “same,” “stepping up” and “stepping down.” It then introduces lines and space notes in treble and bass clefs, melodic and harmonic intervals of 2nds, 3rds, 4ths and 5ths, and graduates to reading on the grand staff. It also introduces the flat and sharp signs. This course is most effective when used under the direction of a piano teacher or experienced musician. Songs Include: Balloons * Batter Up! * The Donkey * A Friend Like You * Hand-Bells * A Happy Song * Horse Sense * Totem Pole Song * It’s Halloween! * Jingle Bells! * Jolly Old Saint Nicholas * July the Fourth! * Just a Second! * Love Somebody * Merrily We Roll Along O’er the Deep Blue Sea * Mexican Hat Dance * My Clever Pup * My Fifth * My Robot * Old MacDonald * Old Uncle Bill * Play a Fourth * Raindrops * Rain, Rain! * Rockets * Rockin’ Tune * Rock Song * Sailing * Sea Divers * See-Saws * Skating * Who’s on Third? * Willie and Tillie * Wishing Well * The Zoo
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
The Brown Scale Book
This essential resource includes all major and minor scales, triads, arpeggios, dominant sevenths, and chromatic scales organized by key. A favorite for decades, The Brown Scale Book belongs in every student’s library.
The Real Vocal Book
The Real Vocal Book has many of the selections from Volumes 1 and 2 of the instrumental Real Books, but now with complete lyrics added to the pre-existing melody line. This edition features 300 essential songs arranged for low voice, including: Alfie * All of Me * Autumn Leaves * Bewitched * Bluesette * Don’t Get Around Much Anymore * Fever * Georgia on My Mind * Misty * Moon River * My Funny Valentine * Satin Doll * and more. Looking for a particular song? Check out the Real Book Songfinder here.