Guitarist Gergely Szabo has an Advanced Diploma in Music Performance from Cambrian College where he majored in the classical guitar. Over his time there, he completed 2 years of comprehensive pedagogy courses. He also gained well grounded vocal skills, as well as basic knowledge on the piano. Outside of classical music, he exhibits a repertoire of skills and knowledge in playing the genres of rock, blues, and heavy metal music. He has experience in teaching the guitar and the ukulele to a range of people aged 6 to 54.
Gergely’s teaching methods include both the use of books and digital methods. The three main books he uses to teach guitar are as follows: “Guitar Method Book 1 by Will Schmid and Greg Koch,” “Four Star Sight Reading and Ear Tests RCM Level 1,” and “Classical Guitar Repertoire and Etudes RCM Level 1.” For teaching ukulele, he uses the book “Ukulele Songs for 1, 2, or 3 players by Elizabeth Ragsdale.” Aside from these, he frequently uses the Muse Score application as a play-along practicing tool.
Gergely’s passion for music and his dedication to growing the love of music in others are the biggest reasons why he teaches guitar and ukulele. His approach to teaching involves learning through play. The material he covers with his students is always delivered in a way that is highly interactive. Most of the assigned exercises he gives involve the elements of play that students can enjoy both in class and as homework.
Get to know Gergely…Beyond the Bio!
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Saturday April 20 Lessons – Erin P
Hi everyone! Report cards went home this week and they announce our first post-pandemic recital! It will be Sunday May 5th and we have two “shows” available to register for: 12:30 and 1:30 I believe. Look at your schedules and see if you’re available!
Hakim
Lost Woods – great job with the RH! I love the articulation you’re using. Next add in the LH, slow and steady wins the race here. You’re teaching your body how to coordinate together, and eventually it can be sped up.
*New* Raiders in the Night page 1. This piece is in A minor and the time signature is 6/8 (there are 6 8th notes per measure, but we feel two Big beats). Build up your finger independence by not moving your thumb out of the A minor 5 finger position, and instead using all the fingers for the RH melodies.
Maria
Viva la Vida – dynamics and tempo. You’re going to do great at your talent show!!! I’m very proud of your collaboration with your friend and the arrangement you’ve created.
*New* Somersault King – Count carefully and enjoy the happy mood of this piece! LH is mostly all recognizable triad shapes.
I will have prepped some of Golden Hour for next week.
Shakira
Saturn by SZA – In C major. This piece is actually in Db major on the recording, but we transposed it down a half step so it can be played using white keys. It uses the C Major 7th chord notes (C E G B) plus the higher C and an occasional D. Today we worked out a fingering plan that demands the least position changes of the hand, and instead uses a “radar” wrist that pivots to allow you to stretch from thumb to pinky without too much stretching, instead just pivoting.
Thursday April 18 Lessons – Erin P
Sounds like you all had a great, productive time with Emmett! Here are *his* notes for the week:
Liam
technical requirements are slowing down! Talked about relative minor, C major, Am hands together 2 octaves, G maj 2 octaves. Started to slow down for the end of scales, keeping consistent and EVEN on the way down. Focus on evenness. Dmin natural Mel and harm. Hands separate and then together. Working in visualizing scales before we play them to avoid playing wrong notes the first time.
Witches and wizards – memorized, take it slow, emphasis on control! Talked about pedal control and when to pedal! Slow practise emphizes the mistakes and you can highlight them. Work on time slowly. Memorize dynamics and keep the Piece interesting, lightweight dynamic more!
Walk the talk, good sense of time! Trying not to slow!
Marita
C. Major both hands, 2 octaves! Key signature? G major, breaking hands apart and then putting back together for fingering! Remembering left hand fingering coming down.
Learned the chords and melody with rhythm to Havana (Camila Cabelo)
Katarina
Learned chord terminology!! Went over chord pattern of C-Am-F-G. Did Perpetual motioning C and G! Watching left hand fingering! Focusing on fingering!
Learned the chords for Over the Rainbow.
Sara
G major, hands together, evenness and tempo! E min, harm, B maj, G min, nat, mel, harm,
Arp, C major, Eb major, right hand,
Chromatic scale!
Ballade – Good dynamics! Take fermatas longer, transitions smoother! Overall lovely phrasing and dynamics! Metronome,
Cloud dance – pedalling! Note pedal. Swells and slurs not want to hear the pedal.
Air in B flat – Nice tempo, a little ghost notes at times. Soaring through notes! No speeding up.
Sonatina in C major – bring out the melody, no speeding up, slow practise on hard sections!
Nightime in the city – Nice swing feel, slow it down for accuracy.
Take the A train – Had a lovely chat about jazz
Marco
Morning fanfare – good use of dynamics! Staccatos and slurs! Focus on accuracy and slowing don to catch all the articulations. Fermata, practised motion for left hand staccatos while the right is not! Don’t rush the 16th notes.
Minuet in C – 3/4 waltz feel, work on your tempo while playing slowly to not speed up. Watch your ties! Dont play the note twice! Keep your eyes up to not lose your place!
Song of the dark woods – dynamics, slower to remain in control! Watch you ties again, don’t just trust your ear. Look up at the music as you go. Dont try and muscle through at a fast tempo.
Daniel
Formula patterns, C major, left hand fingering. G major, A minor, slow because its new, same pattern as C.
The wind – Pedalling, watch the time switches, take it at a reasonable tempo. Good sense of pianissimo. Working on pedalling. Practise good fingering for parts that need to have a smooth connected feeling.
Entree in A minor – take it slow and connected to understand it fully, watch the octave you play the right hand in, dynamics. Wrist position higher to let the fingers move less, it’s less punchy by a long shot.
Periwinkle twinkle – Watch for rests in the right hand, slow down and get accurate. Staccato last note! Dynamics!
Breezy – watch the eighth note lines. Find the hard parts and then play the whole thing that tempo! Consistency!
Preferred Books for Gergely’s Students
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Hal Leonard Guitar Method
The second edition of this world-famous method by Will Schmid and Greg Koch is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. Book 1 provides beginning instruction including tuning, 1st position melody playing, C, G, G7, D7, and Em chords, rhythms through eighth notes, solos and ensembles and strumming.
Four Star Sight Reading and Ear Tests
