Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Assignments from May 8th
Hello!
I just wanted to say thank you to everyone who submitted a video for the digital concert! I’m very much looking forward to seeing everyone’s performances!
Vida:
Great progress with Under the Sea! Continue to review the melody in the right hand. Read and play through bars 29-35 on their own this week. Encourage Vida to use all of her fingers when playing the passage in bars 31-32; dancing her fingers around the notes instead of moving her whole hand and wrist. Try the following fingering for that passage: 2/4-3-4-3/5. We can review this in class next week. When Vida is confident with these 7 bars, put them back into the whole song! Try playing the piece start to finish without stopping. You can also record the whole song for Vida to hear. Once Vida has mastered the right hand, go back and encourage her to sight-read the left hand! Read in small chunks and practice both hands separately this week. When practicing Mr. McGill’s Boop Sha Bop, make sure Vida’s eighth notes are twice as fast as her quarter notes. You can use the tapping exercise provided in the google drive as a visual aid; Vida will be able to see that the hand tapping the eighth notes is moving faster than the hand tapping quarter notes. In the context of the song, encourage Vida to think of the first eighth note of the pair as a trampoline or a springboard to the next note in the pair. Jump up to the next note quickly. You can also practice this song with a metronome to help Vida hear the macro beat of the song. Let Vida choose the tempo. Encourage her to choose a quick but manageable speed.
Eva:
Today we learned the last phrase of Sailing in the Sun! When practicing have Eva start with this phrase. Ask her to show you what she learned in class. Once she has reviewed the last phrase, she can go back and play the first 3 phrases for you. Help Eva become more familiar with the last phrase by drawing comparisons to bars that are similar or identical to bars in the first 3 phrases. Eva can circle identical bars with the same colour pencil if she would like. (Red for 2 matching bars and Green for 2 different matching bars). This will help Eva learn the “map” of the song and help her feel more confident when playing the whole song start to finish. You can also help Eva connect each phrase by asking her to play the last bar of the previous line and the first bar of the next line back to back. Do this for each phrase to help Eva hear and feel how each line flows into the next. You can then ask her to “perform” the whole song for you! You can also record Eva playing the song start to finish so that she can hear herself play! When listening back, ask Eva what she likes about what she hears and if there is anything she wants to review and polish.
Christian:
For this week when practicing How Long Will I Love You, focus on the left hand. Practice the large, broken chords slowly as you read each chord practice the stretch from your 5th finger to your 1st finger. Remember that most of the chords written are the same I, IV, and V (C, F, and G) chords from the intro of the song. This should make reading each individual note easier. Should you review the intro this week, remember that every other chord should be played twice as fast as written. We will review this in class when you return from Mexico. Continue to practice the melody in the right hand. Identify and review the larger intervals that appear in the melody to help you “map” the song. This will help your memory as it offers a landmark for where you are in the song and whats coming up (like that Major 6th that introduces the main melody in the descending eighth notes). Practice as much as you can between now and when you leave. Have a safe flight and a great time at the wedding!
Thank you everyone! Looking forward to more great lessons next week!
Preferred Books for Katie’s Students
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Faber & Faber Piano Adventures
The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Alfred's Adult Basic All-In-One
Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire
A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer
The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing
Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.