Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Too Much Homework Makes My Blood Boil
Hello Parents!
This is a slight departure from our normal news posting, as it will contain some personal opinion with, perhaps, some political mischief about homework in the TDSB (which probably applies to other boards, as well). This post is also open for comments, by visiting the online version of the post. We’d love to hear your thoughts on this issue, and to engage with other parents on it.
Kids get to be kids ONCE
I spoke to a parent last week, and discovered that a grade 4 child was doing 2 hours of homework a night. I have heard similar stories from different families with children in different grades over the past year or so.
Nothing about that sits well with me. The child is stressed, does not get to play (play is supremely important, just check this BBC article on play in educational settings), and the parents have to focus more on getting the work done than on family time (reading, talking, playing, cooking, walking, gardening, shovelling, etc.). The most important question, I think, is “Should children experience stress?”. For me the answer is a resounding “No!”, at least where normal growing experiences are concerned.
Onerous, repetitive, and over-demanding assignments are stealing your child’s childhood. They only get to do this once, shouldn’t it be an enjoyable period in their lives? As one parent put it: “Their job is to go to school.“. Isn’t that enough?
What about their emotional and physical health? Social interaction with family and friends contributes positively to both of those things. Check out this article based on a Stanford study that talks about this.
Did you know? The TDSB has a Homework Policy
This publicly available homework policy document is very telling about how homework should be assigned, as well as the types of work, as well as goals for each type. I encourage all parents to read this, regardless of your child’s age.
The most important statement about homework, in my view, is the following statement from the document (emphasis added):
Time spent on homework should be balanced with the importance of personal and family wellness
and the wide array of family obligations experienced in our society today.
The importance of personal and family wellness is what should be dictating homework. If your child’s, and family’s wellness is affected by the amount of homework being assigned, I encourage you to do one of two things:
- Remind your school teacher of their obligation to stick to the policy, with respect to your current situation.
- Simply don’t do the homework.
This isn’t to say that you shouldn’t be monitoring your children’s understanding or ability to execute concepts. Rather you should send the message to them that understanding the concepts and being able to action them is enough without punitive repetition and excessive time spent at home.
What do Teachers Say?
I spoke to two separate TDSB teachers, both of whom told me that the guideline for time is 10 minutes of homework per day, per grade. That means that by Grade 6 you would be looking at a maximum of 60 minutes. If your kids are doing anything more than that, there is likely a problem at school that needs addressing.
What do you Say?
I look forward to your comments and thoughts below, and hope we can help our kids find a better balance!
B. Kerekes
Director
Preferred Books for Katie’s Students
Click to buy them here, and they’ll come right to your house! What could be easier?
Faber & Faber Piano Adventures

The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Music for Little Mozarts
Lesson Book 1

Lesson Book 1 is pre-reading. Concepts taught are: How to sit at the piano; Correct hand position; High and low; Loud and soft (forte and piano); Keyboard topography; Bar line and measure, Quarter, half, whole notes and rests; and Repeat signs.
Alfred's Adult Basic All-In-One

Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire

A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer

The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing

Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.
