Bachelor of Fine Arts (York University)
Katie Thurman is a singer, pianist, accompanist, and teacher based in Toronto. Her passion for music has been with her since childhood, and she is excited to have recently completed her undergraduate degree in music at York University.
Trained classically in piano, she continues to explore other styles including pop and jazz, as well as write her own compositions. Her vocal training is in both classical and musical theatre styles, as well as lengthy choral experience both in and out of school.
Katie spent 6 years singing with WIBI A Cappella, a collegiate-based group, during her time at York, and is proud to have competed with them twice in the ICCA (the very competition the Pitch Perfect films were based on!). Currently, she sings with the Toronto-based That Choir.
Katie loves all types of music, but spends most of her time listening to pop, indie, and alt-pop records.
Katie also writes her own songs and is working towards putting together an EP. Aside from music, Katie’s other passions include baking, film, and psychology. She loves teaching and is always pushing herself to grow pedagogically and musically!
Get to know Katie…Beyond the Bio!
Hobbies: baking, watching movies/TV, writing, yoga, hiking
Musical influences: Classical: Natalie Dessay, Maria Callas/Pop: Arcade Fire, Lana Del Rey, BANKS, Florence & the Machine, Rhye
Favourite food: Pasta
Least favourite food: Seafood
Favourite music: pop & alt-pop, indie/folk, dance, and all things Celtic
Favourite song: currently “Favourite Boy” by Half Moon Run
Favourite movie: Eighth Grade
Favourite movie music: A Single Man, music composed by Abel Korzeniowski?
Favourite musical theatre/opera: Les Misérables
Best quote from your teacher: Vocal teacher: “Just go for it! We want to hear ‘Katie-and-a-half'”.
Favourite quote: Motivation comes from work
Favourite book: The Handmaid’s Tale
Best thing about teaching at ABC: I like sharing my knowledge with students, and I learn from them too!
Latest Homework from Katie
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Amazing Triplets Learning, Singing, having fun!
Music Education can begin at birth by exposure, and working in musical behaviours into parental routine. Up to 7 or 8 years of age, children don’t learn the way we think they do – sitting on their bottoms and paying attention – no! The boundless energies of children can’t be, and shouldn’t be boxed into this way of approaching education. The default nature of children is to be free of spirit and behaviour, which means that the best way to engage them is through FUN! For the sake of us adults, we’ll call that age-appropriate behaviour.
Taking the time to watch your child play with a critical eye, you might notice some interesting things about the nature of children’s play. Often, they are repeating, or practicing, the same behaviours that their most influential people (that’s you, parents) exhibit on a day to day basis. Having coffee with a friend? They’ll have it with their friends, too. Putting your child to sleep? They’ll put their dolls to sleep. Giving them a time-out for iffy behaviour? They might give their doll a time-out, but I have seen kids pre-emptively giving themselves a time out, when they know they have behaved poorly.
The importance of your modelled behaviours is huge! In the video below you’ll see some little friends of mine having a whale of a time with their grandfather (a professional musician), and being exposed to music through play. Notice that there are no rules; the kids could wander off or run around, but they are playing this game together. Their grandfather, who holds a doctorate in music, isn’t putting them into any kind of box while he exposes them to what is essentially jazz – they don’t need to do anything other than play to learn.
If you are a parent in one of our Music Together classes, I encourage you to throw out any ideas you have about how things should go with your child learning processes that involves a formal environment. Demonstrating and engaging with your children at an age-appropriate level (this evolves, and so must your approaches to engaging) is key to building good learning skills.
If you are the parent of an older child, remember that learning is not something that happens naturally in a classroom. Rather, it is important to note that the idea of classroom learning is a relatively new one where children are concerned in human history, and that experiential and modelled learning – where you demonstrate and let them try – is still the most effective way to teach your children. We invite you to spread the word about our Music Together classes for Babies, Toddlers, and Preschoolers to your fellow parents that may be interested in this kind of family learning model for their children under 5. We appreciate your referrals!
Preferred Books for Katie’s Students
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Faber & Faber Piano Adventures

The 2nd Edition Primer Lesson Book introduces the keyboard, note values, and the grand staff. Students play in C 5-finger scale patterns, develop recognition of steps and skips, and learn letter names independent of finger number. Musicianship is built through the use of dynamics and coloristic experimentation with the pedal. The book is organized into units which represent the major concepts and skills. As new units are introduced, earlier concepts and skills are constantly reviewed.
Music for Little Mozarts
Lesson Book 1

Lesson Book 1 is pre-reading. Concepts taught are: How to sit at the piano; Correct hand position; High and low; Loud and soft (forte and piano); Keyboard topography; Bar line and measure, Quarter, half, whole notes and rests; and Repeat signs.
Alfred's Adult Basic All-In-One

Alfred’s Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred’s Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, “all-in-one” format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson’s concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections.
RCM Voice Repertoire

A Comprehensive Voice Series serves as the official resource for voice assessments of the Royal Conservatory Music Development Program. Featuring an outstanding selection of voice literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. As in previous editions, Resonance encompasses a rich and varied selection of Repertoire, Vocalises and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability.
Vocal Workouts for the Contemporary Singer

The vocal workouts in this much-anticipated follow-up to Peckham’s The Contemporary Singer are based on Berklee College of Music’s highly effective vocal method. This volume will help vocalists develop the voice through good vocal health, warm-up exercises, advanced techniques, stage performance advice and more. Includes companion online audio for ultimate interactive education!
Alfred's Teach Yourself to Sing

Learn to sing and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginning with the fundamentals, you will learn about equipment used by singers, vocal health, and getting acquainted with reading music. You will then move right along to breathing, vocalizing, proper warm-ups, and singing songs, lesson by lesson, all while continuing to increase your knowledge of reading and understanding music. You will learn to sing an array of musical styles including pop, jazz, classical, and musical theater. Near the end of the book, you will be introduced to the idea of individual interpretation, which will help you color your songs with your own unique style. The book features a chord and scale chart for reference during and after your lessons.
